Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
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Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
Sleepless one night, he left the house after the old couple were
asleep. The moon was shining, and unconsciously following the bent
of his thoughts, he took the foot-path that led across the fields.
He passed the spot where he had first met her, and absorbed in
recollection of the scene, he walked on until before him the convent
towered high in light and shadow. He had reached the entrance to the
long avenue of elms. He traversed it, turned aside into the garden,
and, following with many pauses around its borders, lived over again
the day when she had led him through it. The mere sense of his greater
physical nearness to her inthralled him. All her words came back:
"These are daffodils. They bloomed in March, long ago.... And here are
violets, which come in April." After awhile, leaving the garden, he
walked across the lawn to the church and sat upon the steps, trying to
look calmly at this whole episode in his life, and to summon resolution
to bring it to an end. He dwelt particularly upon the hopelessness of
his passion; he made himself believe that if he could but learn that
she were not ill and suffering--if he could but see her once more, and
be very sure--he would go away, as every dictate of reason urged.
Across the lawn stood the convent building. There caught his eye the
faint glimmer of a light through a half-opened window, and while he
looked he saw two of the nuns moving about within. Was some one dying?
Was this light the taper of the dead? He tried to throw off a sudden
weight of gloomy apprehension, and resolutely got up and walked away;
but his purpose was formed not to leave until he had intelligence of
her.
One afternoon, a few days days later, happening to come to an elevated
point of the landscape, he saw her figure moving across the fields in
the distance below him. Between the convent and the farm-house, in
one of the fields, there is a circular, basin-like depression; and it
was here, hidden from distant observation, with only the azure of the
heavens above them, that their meeting took place.
On the day when she had been his guide he had told her that he was
going away on the morrow, and as she walked along now it might have
been seen that she thought herself safe from intrusion. Her eyes were
bent on the dust of the path-way. One hand was passing bead by bead
upward along her rosary. Her veil was pushed back, so that between its
black border and the glistening whiteness of her forehead there ran,
like a rippling band of gold, the exposed edges of her shining hair.
In the other hand she bore a large cluster of chrysanthemums, whose
snow-white petals and green leaves formed a strong contrast with the
crimson symbol that they partly framed against her sable bosom.
Public-domain text, read in full here on John Shaqi.
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