Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
"I don't know. I think a snail must have made more progress since the
war than I have."
The idea of his uselessness seemed to weigh on him, for a little later
he remarked, with a sort of mortified smile:
"Do you think, Peter, that we would pass for what they call
representative men of the New South?"
"We done _had_ ou' day, Marse Rom," replied Peter. "We got to pass fur
what we _wuz_. Mebbe de _Lohd's_ got mo' use fur us yit 'n _people_
has," he added, after a pause.
From this time on the colonel's strength gradually failed him; but it
was not until the following spring that the end came.
A night or two before his death his mind wandered backward, after the
familiar manner of the dying, and his delirious dreams showed the
shifting, faded pictures that renewed themselves for the last time on
his wasting memory. It must have been that he was once more amid the
scenes of his active farm life, for his broken snatches of talk ran
thus:
"Come, boys, get your cradles! Look where the sun is! You are late
getting to work this morning. That is the finest field of wheat in the
county. Be careful about the bundles! Make them the same size and tie
them tight. That swath is too wide, and you don't hold your cradle
right, Tom....
"Sell _Peter_! _Sell Peter Cotton!_ No, sir! You might buy _me_ some
day and work _me_ in your cotton-field; but as long as he's mine, you
can't buy Peter, and you can't buy any of _my_ negroes....
"Boys! boys! If you don't work faster, you won't finish this field
to-day.... You'd better go in the shade and rest now. The sun's very
hot. Don't drink too much ice-water. There's a jug of whisky in the
fence-corner. Give them a good dram around, and tell them to work slow
till the sun gets lower."...
Once during the night a sweet smile played over his features as he
repeated a few words that were part of an old rustic song and dance.
Arranged, not as they came broken and incoherent from his lips, but as
he once had sung them, they were as follows:
"O Sister Phœbe! How merry were we
When we sat under the juniper-tree,
The juniper-tree, heigho!
Put this hat on your head! Keep your head warm;
Take a sweet kiss! It will do you no harm,
Do you no harm, I know!"
After this he sank into a quieter sleep, but soon stirred with a look
of intense pain.
"Helen! Helen!" he murmured. "Will you break your promise? Have you
changed in your feelings towards me? I have brought you the pinks.
Won't you take the pinks, Helen?"
Then he sighed as he added, "It wasn't her fault. If she had only
known--"
Who was the Helen of that far-away time? Was this the colonel's
love-story?
But during all the night, whithersoever his mind wandered, at intervals
it returned to the burden of a single strain--the harvesting. Towards
daybreak he took it up again for the last time:
Public-domain text, read in full here on John Shaqi.
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