Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
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Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
It was in a remote corner of the beautiful gardens of the monastery
that a young monk, Father Palemon, was humbly at work one morning some
years ago amid the lettuces and onions and fast-growing potatoes.
The sun smote the earth with the fierce heat of departing June; and
pausing to wipe the thick bead of perspiration from his forehead, he
rested a moment, breathing heavily. His powerful legs were astride a
row of the succulent shoots, and his hands clasped the handle of the
hoe that gave him a staff-like support in front. He was dressed in the
sacred garb of his order. His heavy sabots crushed the clods in the
furrows. His cream-colored serge cowl, the long skirt of which would
have touched the ground, had been folded up to his knees and tied with
hempen cords. The wide sleeves, falling away, showed up to the elbows
the superb muscles of his bronzed arms; and the calotte, pushed far
back from his head, revealed the outlines of his neck, full, round,
like a column. Nearly a month had passed since the convent barber had
sheared his poll, and his yellow hair was just beginning to enrich his
temples with a fillet of thick curling locks. Had Father Palemon's
hair been permitted to grow, it would have fallen down on each side
in masses shining like flax and making the ideal head of a saint. But
his face was not the face of a saint. It had in it no touch of the
saint's agony--none of those fine subtle lines that are the material
net-work of intense spirituality brooding within. Scant vegetarian diet
and the deep shadows of cloistral life had preserved in his complexion
the delicate hues of youth, noticeable still beneath the tan of recent
exposure to the summer sun. His calm, steady blue eyes, also, had the
open look peculiar to self-unconscious childhood; so that as he stood
thus, tall, sinewy, supple, grave, bareheaded under the open sky,
clad in spotless white, a singular union of strength, manliness, and
unawakened innocence, he was a figure startling to come upon.
As he rested, he looked down and discovered that the hempen cords
fastening the hem of his cowl were becoming untied, and walking to the
border of grass which ran round the garden just inside the monastery
wall, he sat down to secure the loosened threads. He was very tired.
He had come forth to work before the first gray of dawn. His lips
were parched with thirst. Save the little cup of cider and a slice of
black bread with which he had broken his fast after matins, he had not
tasted food since the frugal meal of the previous noon. Both weary
and faint, therefore, he had hardly sat down before, in the weakness
of his flesh, a sudden powerful impulse came upon him to indulge in a
moment's repose. His fingers fell away from the untied cords, his body
sank backward against the trunk of the gnarled apple-tree by which he
was shaded, and closing his eyes, he drank in eagerly all the sweet
influences of the perfect day.
Public-domain text, read in full here on John Shaqi.
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