Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
"He was an illegitimate child. Who his father was, no one ever so much
as suspected. When his mother died he was left a homeless waif in one
of the Kentucky towns. But some invisible eye was upon him. He was soon
afterwards brought to the boarding-school for poor boys which is taught
by the Trappist fathers here. Perhaps this was done by his father, who
wished to get him safely out of the world. Well, he has never left this
valley since then. The fathers have been his only friends and advisers.
He has never looked on the face of a woman since he looked into his
mother's when a child. He knows no more of the modern world--except
what the various establishments connected with the abbey have taught
him--than the most ancient hermit. While he was in the Trappist school,
during afternoons and vacations he worked in the monastery fields with
the lay-brothers. With them he ate and slept. When his education was
finished he became a lay-brother himself. But amid such influences
the rest of the story is foreseen; in a few years he put on the brown
robe and leathern girdle of a brother of the order, and last year he
took final vows, and now wears the white cowl and black scapular of a
priest."
"But if he has never known any other life, he, most of all, should be
contented with this. It seems to me that it would be much harder to
have known human life and then renounce it."
"That is because you are used to dwell upon the good, and strive to
better the evil. No; I do not believe that he is happy. I do not
believe nature is ever thwarted without suffering, and nature in
him never cried out for the monkish life, but against it. His first
experience with the rigors of its discipline proved nearly fatal. He
was prostrated with long illness. Only by special indulgence in food
and drink was his health restored. His system even now is not inured to
the cruel exactions of his order. You see, I have known him for years.
I was first attracted to him as a lonely little fellow with the sad
lay-brothers in the fields. As I would pass sometimes, he would eye me
with a boy's unconscious appeal for the young and for companionship. I
have often gone into the abbey since then, to watch and study him. He
works with a terrible pent-up energy. I know his type among the young
Kentuckians. They make poor monks. Time and again they have come here
to join the order. But all have soon fallen away. Only Father Palemon
has ever persevered to the taking of the vows that bind him until
death. My father knew his mother and says that he is much like her--an
impulsive, passionate, trustful, beautiful creature, with the voice of
a seraph. Father Palemon himself has the richest voice in the monks'
choir. Ah, to hear him, in the dark chapel, sing the _Salve Regina_!
The others seem to moderate their own voices, that his may rise clear
and uncommingled to the vaulted roof. But I believe that it is only
the music he feels. He puts passion and an outcry for human sympathy
into every note.
Public-domain text, read in full here on John Shaqi.
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