Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
She seemed caught up to some august height of holy meditation. Her
motionless figure was so lightly poised that her feet, just visible
beneath the hem of her heavy black dress, appeared all but rising from
the dust of the path-way; her pure and gentle face was upturned, so
that the dark veil fell away from her neck and shoulders; her lips were
slightly parted; her breath came and went so imperceptibly that her
hands did not appear to rise and fall as they clasped the cross to her
bosom. Exquisite hands they were--most exquisite--gleaming as white as
lilies against the raven blackness of her dress; and with startling
fitness of posture, the longest finger of the right hand pointed like a
marble index straight towards a richly embroidered symbol over her left
breast--the mournful symbol of a crimson heart pierced by a crimson
spear. Whether attracted by the lily-white hands or by the red symbol,
a butterfly, which had been flitting hither and thither in search
of the gay races of the summer gone, now began to hover nearer, and
finally lighted unseen upon the glowing spot. Then, as if disappointed
not to find it the bosom of some rose, or lacking hope and strength for
further quest--there it rested, slowly fanning with its white wings the
tortured emblem of the divine despair.
Lower sank the sun, deeper and more wide-spread the splendor of the
sky, more rapt and radiant the expression of her face. A painter of the
angelic school, seeing her standing thus, might have named the scene
the transfiguration of angelic womanhood. What but heavenly images
should she be gazing on; or where was she in spirit but flown out of
the earthly autumn fields and gone away to sainted vespers in the
cloud-built realm of her own fantasies? Perhaps she was now entering
yon vast cathedral of the skies, whose white spires touched blue
eternity; or toiling devoutly up yon gray mount of Calvary, with its
blackened crucifix falling from the summit.
Standing thus towards the close of the day, Sister Dolorosa had not yet
passed out of that ideal time which is the clear white dawn of life.
She was still within the dim, half-awakened region of womanhood, whose
changing mists are beautiful illusions, whose shadows about the horizon
are the mysteries of poetic feeling, whose purpling east is the palette
of the imagination, and whose upspringing skylark is blithe aspiration
that has not yet felt the weight of the clod it soars within. Before
her still was the full morning of reality and the burden of the mid-day
hours.
Public-domain text, read in full here on John Shaqi.
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