(y). Decorative pattern on magic comb worn by women to serve as a charm against venomous reptiles and insects, similar design for similar reason sometimes painted on the breast (i. 41, 420-436). (z). Child's name is taken from some tree which stands near the prospective birthplace of the child. As soon as the child is born this name is shouted aloud by the _sage femme_, who then hands over the child to another woman, who buries the afterbirth underneath the birth-tree or name-tree of the child. As soon as this is done the father cuts a series of notches in the tree, starting from the ground and terminating at the height of the breast. The cutting of these notches is intended to signalise the arrival on earth of a new human being, since it thus shows that Kari registers the souls that he has sent forth by notching the tree against which he leans. Trees thus "blazed" are never felled. The child must not in later life injure any tree which belongs to the species of his tree; for him all such trees are taboo, and he must not even eat their fruit, the only exception being when an expectant mother revisits her birth-tree. Every tree of its species is regarded as identical with the birth-tree (ii. 3, 4). When an East Semang dies his birth-tree dies too (ii. 5). (aa). The child's soul is conveyed in a bird, which always inhabits a tree of the species to which the birth-tree belongs. It flies from one tree of the species to another, following the as yet unborn body. The souls of first-born children are always young birds newly hatched, the offspring of the bird which contained the soul of the mother. If the mother does not eat the soul-bird during her accouchement the child will be stillborn or will die shortly after birth (ii. 4, 192, 194, 216). She keeps the soul-bird within the birth-bamboo, and does not eat it all at once, but piecemeal (ii. 6). All human souls grow upon a soul-tree in the other world, whence they are fetched by a bird which was killed and eaten by the expectant mother (ii. 194). (bb). Semang religion, in spite of its recognition of a thunder-god (Kari) and certain minor deities (so called), has very little indeed in the way of ceremonial, and appears to consist mainly of mythology and legend. It shows remarkably few traces of demon worship, very little fear of ghosts of the deceased, and still less of any sort of animistic beliefs (ii. 174). [As the Kari is the deity common to the Semang and the people higher in culture than the Semang, it is difficult to trace out the primitive idea. The myths also show a common impress, "which is probably mainly due to the same savage Malay element" (ii. 183).] (cc). During a storm of thunder and lightning the Semang draw a few drops of blood from the region of the shin bone, mix it with a little water in a bamboo receptacle, and throw it up to the angry skies (ii. 204).