Bildungsromans; Fathers and sons -- Fiction; First loves -- Fiction; Ireland -- Fiction
I had become lost in this appealing melodrama, and though my mood was
broken in the next act, in the third act, in the celebrated garden
scene, it was revived and intensified. The sugary sweetness of the
music had an almost hypnotic effect upon me, for I had never heard it
till now, and the ecstatic sensuality of the duet rapt me into a world
of love, where everything else was forgotten. It was all utterly new
to me; it thrilled me; it drowned me in erotic dreams that swept me
onward like the waves of the sea; and through all, subconsciously, as
I listened and watched, I was carrying on another love-making of my
own, with which Faust and Margaret had nothing to do. Through the next
two acts I followed more closely the fortunes of the unhappy heroine,
not without a naïve wonder why so much tragedy, so much remorse,
should attend on what appeared to me――but for the intervention of
the devil――a quite natural and straightforward courtship. For some
reason, possibly the fault of the libretto, more probably because I
could only catch about half the words, I could not discover wherein
lay the secret of the trouble, nor why the lovers did not get married.
I accepted the situation however: I accepted, I think, everything but
the absurd “Soldiers’ Chorus,” and the death-scene of Valentine. This
latter nearly made me sick at the time, though I forgot all about it
when the curtain rose to reveal the wretched Margaret in prison. With
enthusiasm I watched her reject her lover and the demon, and fling
herself on her knees to pour out her soul in a prayer which finished on
the high B. At last I saw her released from all the ills of life, her
body stretched on the miserable straw bed. And with that the walls of
the prison rolled back, and I had a vision of her soul being borne to
heaven by angels. It is true those white-clad, flaxen-haired creatures,
with glistening wings and golden crowns, bore a not remote resemblance
to several of the livelier persons I had seen mingling with the
soldiers and students at an earlier stage of the drama; nevertheless I
beheld them, in this pause on their way to heaven, with respect, if not
exactly veneration.
“I doubt they’re as near it now as they’ll ever be,” said George,
cynically, pulling his cap from his jacket pocket.
Public-domain text, read in full here on John Shaqi.
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