Bildungsromans; Fathers and sons -- Fiction; First loves -- Fiction; Ireland -- Fiction
I do not know how long I stood there: it may have been but a few
minutes, yet it was long enough for me to realize that the simple
act of entering the room was become an impossibility. It would have
required too violent an effort, too sharp and brutal a wrench, an
effort I shrank from as from physical pain. I must write to Katherine.
How could I go in there as if nothing had happened? If she came out
on to the terrace I might find courage to speak to her, but she would
not come. Gerald, on the other hand, almost certainly would; and if he
discovered me prowling about like this what would he think? I slipped
away, then, like a veritable ghost, my footsteps making no noise upon
the faded grass.
CHAPTER LIII
I wrote that night to Katherine, but she did not reply to my letter,
and I had no heart to send a second. Two days passed, during which
I did not go near Derryaghy, but took to gardening, and when Gerald
came down on the second afternoon I offered this as my excuse for not
going with him. The fact was that I felt uncomfortable in his society,
not knowing how much he knew. He had witnessed my discomfiture on the
night Katherine had cut me, and of course he must have questioned her
afterwards.
During these days I made one or two attempts to come to a more cordial
relation with my father; yet it seemed to me that he suspected the
genuineness of my timid advances, and at all events his unresponsiveness
discouraged me from repeating them.
On the evening of the third day, having nothing else to do, I
strolled listlessly in the direction of the field occupied by the
booths of the steam-circus proprietors. It was recognizable from
afar by a luminous cloud that hung above it like a curtain of fire
against the night. The wind was blowing from that direction, and, as
I advanced, my ears were filled with the rough music blared out by a
couple of steam-organs, a music broken every now and again by short
convulsive shrieks as of demoniac laughter. Swings, shooting-galleries,
throwing-competitions――all were in the full energy of life when
I approached; but the chief centres of attraction were the two
hobby-horse machines, brightly painted and flashing with mirrors and
gilding. I mingled in the outer ring of spectators about the larger of
these two wheeling monsters, and stood gazing at it, as it turned round
swiftly and rhythmically to the throbbing din of brazen pipes. White
puffs of steam shot up against the black sky in the coloured glare
of naphtha lamps. Girls with flushed, excited faces, tossed hair and
shining eyes, leaned sideways from the horses’ backs, laughed, swayed
in a kind of innocent abandon toward their accompanying sweethearts.
Arms were round waists, the pops of guns mingled with the blare
of the music, the shrieks of the steam-whistle, the shrillness of
feminine voices. Standing there, in lonely contemplation of all this
Dionysian revelry, I felt as hopelessly out of touch with it, as if I
Public-domain text, read in full here on John Shaqi.
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