Following the color line : $b An account of Negro citizenship in the American democracy
History
Following the color line : $b An account of Negro citizenship in the American democracy
African Americans; United States -- Race relations
A payment of five dollars was made to bind the bargain--just before
Christmas. Jim probably spent it the next day. It is customary to furnish
a cabin for the worker to live in; no such place was furnished, and Jim
had to walk three or four miles morning and evening to a house on another
plantation. He worked faithfully until May 15th. Then he ran away, but
when he heard that the landlord was after him, threatening punishment, he
came back and agreed to work twenty days for the ten he had been away. Jim
stayed some time, but he was not only given no cabin and paid no money,
but his food ration was cut off! So he ran away again, claiming that he
could not work unless he had a place to live. The landlord went after him
and had him arrested, and although the Negro had worked nearly half a
year, McCullough prosecuted him for fraud because he had got $5 in cash at
the signing of the contract. In such a case the Alabama law gives the
landlord every advantage; it says that when a person receives money under
a contract and stops work, the presumption is that he intended to defraud
the landowner and that therefore he is criminally punishable. The
practical effect of the law is to permit imprisonment for debt, for it
places a burden of proof on the Negro that he can hardly overturn. The law
is defended on the ground that Negroes will get money any way they can,
sign any sort of paper for it, and then run off--if there is not a
stringent law to punish them. But it may be imagined how this law could be
used, and is used, in the hands of unscrupulous men to keep the Negro in a
sort of debt-slavery. When the case came up before Judge William H. Thomas
of Montgomery, the constitutionality of the law was brought into question,
and the Negro was finally discharged.
Public-domain text, read in full here on John Shaqi.
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