In the howdah-house there were many howdahs that were made of silver, one of gold, and one of old ivory, and equipped with cushions and canopies of rich and costly stuffs. The wardrobe of the elephants was there, too; vast velvet covers stiff and heavy with gold embroidery; and bells of silver and gold; and ropes of these metals for fastening the things on harness, so to speak; and monster hoops of massive gold for the elephant to wear on his ankles when he is out in procession on business of state. But we did not see the treasury of crown jewels, and that was a disappointment, for in mass and richness it ranks only second in India. By mistake we were taken to see the new palace instead, and we used up the last remnant of our spare time there. It was a pity, too; for the new palace is mixed modern American-European, and has not a merit except costliness. It is wholly foreign to India, and impudent and out of place. The architect has escaped. This comes of overdoing the suppression of the Thugs; they had their merits. The old palace is oriental and charming, and in consonance with the country. The old palace would still be great if there were nothing of it but the spacious and lofty hall where the durbars are held. It is not a good place to lecture in, on account of the echoes, but it is a good place to hold durbars in and regulate the affairs of a kingdom, and that is what it is for. If I had it I would have a durbar every day, instead of once or twice a year. The prince is an educated gentleman. His culture is European. He has been in Europe five times. People say that this is costly amusement for him, since in crossing the sea he must sometimes be obliged to drink water from vessels that are more or less public, and thus damage his caste. To get it purified again he must make pilgrimage to some renowned Hindoo temples and contribute a fortune or two to them. His people are like the other Hindoos, profoundly religious; and they could not be content with a master who was impure. We failed to see the jewels, but we saw the gold cannon and the silver one--they seemed to be six-pounders. They were not designed for business, but for salutes upon rare and particularly important state occasions. An ancestor of the present Gaikwar had the silver one made, and a subsequent ancestor had the gold one made, in order to outdo him. This sort of artillery is in keeping with the traditions of Baroda, which was of old famous for style and show. It used to entertain visiting rajahs and viceroys with tiger-fights, elephant-fights, illuminations, and elephant-processions of the most glittering and gorgeous character. It makes the circus a pale, poor thing.