AS days went on she became more than ever persuaded of the fatalism of
those suggestive, common words, “Yer never knows nothin’, do yer?” That
woman, with the soiled red lining to her kicked-up petticoat--that
woman, with the loosely sensuous mouth, big tongue, and rolling bright
eyes, had emerged from the gray routine of her particular suburban
corner, merely as a warning. Those comically meaningless words became a
gospel. She was always saying them, puzzling over them. They were on
her pale lips as she looked questioningly into Edred’s face. Once she
woke up and found herself saying them in her sleep. It was too stupid.
But, if only that persistent quoting of them, in silence, that
continual battering of them at the door of her distracted brain, would
bring solution! If she could take hold of some slight clew! She found
herself constantly longing for proof of Edred’s unfaithfulness. That,
she thought, would end her love--her reckless, shameful love for an
unworthy object: love that blows, terrible suggestions, the cruelest
words and looks could not kill. If she could free herself from that
horrid, paralyzing coil of Love!
She used to dog his steps with the patient sleuth-like tread of
an intent panther. She followed him into strange places often
enough--unseen. She was always watching, waiting. Other wives waited
and watched, hoping all the time that nothing was wrong, that they
still had faithful husbands, might still keep their homes together with
honor. But Pamela dogged Edred desperately--much more desperately than
she would have done had there been the smallest chance of happiness
left for them. She only fiercely prayed that there might be some
entanglement, that there was some other woman--weak, innocent, or
criminal--in the background. It meant so much more to her than mere
conjugal peace and trust; her experience had made her bitterly scornful
of married life: you could never successfully blend romance and joint
housekeeping. She was playing for a much higher, nobler stake--her own
independence. A wife was an individual first, a mere married woman
afterward. She was conscious from time to time of the absolute
isolation of each human being who treads the world.
One flesh! Bare hearts! What empty jargon! One could look into the
other one’s eyes and be breeding murder, worse than murder, all the
time. This life, the beings with whom we were accidentally thrown in
contact during our half-conscious sojourn--mere detail! There was a
splendid, terrifying isolation about everyone. Each alone! She used to
look at them curiously, speculatively; figures moving along the yellow
streets at night, in tender twos, in merry companies--and yet alone.
Each one shut in, cut off from all perfect communion, by the film of
his own individuality. Each brain its own secret world. Each body,
under such varying garments, absolutely its own, in spite of vows,
ardent protestations, respectable and legal shackles.
Public-domain text, read in full here on John Shaqi.
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