She took her ticket; was fortunate enough to catch a quick train--there
were very few in the day to such an out-of-the-way place. She was quite
alone in the carriage. She watched the landscape eagerly; watched the
foul fog rise as they left London; watched the slow development of a
dazzling autumn day.
CHAPTER XIX.
THERE was no one she knew at the station; she had been nervously
apprehensive that there would be. She had expected to create a small
flutter among the railway people--measuring the intensity of their
emotions during the last year by her own. No one was surprised to see
her. The station-master civilly said good-morning. The porter pulled
his cap and added that they had not sent from Folly Corner to meet her.
Should he send for the blacksmith’s pony-cart? She shook her head,
stepping out into the sun.
She crossed the common, noting every detail of the landscape with
ecstasy. It all soothed and comforted her so inexpressibly, so
mystically; she fell into it with a delicious sensation of ease. Across
the common a woman was driving kids. The old goat had got free and was
awkwardly humping after her, dragging its tether chain. She saw
everything; her heart swelled in her throat at every step, at every new
sight. She saw it all, felt it all--even to the white horse silhouetted
against the broken black sail of the disused windmill.
Each side of her, as she walked on the well-kept road, the common at
her back, were the clean-cut black ditches, half filled with
iron-reddened water, and bound by the silver of dew-soaked, glittering
grass. In a field a man was harvesting swedes. The sick, sweet smell
of them hung in the air; they were bulbed, tawny and big on the black
ground. She stood and watched him, finding added peace in these simple
occupations--the land drew her. He was stuffing the roots into a
bloated, dun-colored sack. They bulged here and bulged there until the
canvas looked like an unwieldly, headless sheep of some mammoth breed.
He threw up the green tops into a cart, the prongs of his fork flashing
in the sun. Everything was bright and cold and hard; the newly-painted
shafts of the cart blood-red and angry against the fierce, clear blue
of the drifting sky.
She noted everything minutely. She was struck by the fantastic
appearance of a copse of bare bushes--a gray-brown film of mystery. She
didn’t throw a backward glance at London, with its crowds, its hectic
flow of life. She was at home. She didn’t even think very much of
Jethro; didn’t speculate on her reception at Folly Corner. She wanted
the place, the influences of the country, as distinct from human
preference. She dreaded the thought of a man’s love. All she had longed
for was placidity. The clear, hard day, the slow, simple occupations of
the few men and women she saw, gave her that.
Public-domain text, read in full here on John Shaqi.
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