The china ornaments had gone, the brass candlesticks. The big
horsehair-covered chair had been re-covered in shrimp-colored plush.
The plaster walls were papered. The thick oak beam above had been
whitened with the rest of the ceiling. She thought that the room looked
much more light and cheerful, much more suitable for a dining-room. But
it was empty. There was no hint of Jethro, no gun in the corner, no
cloth cap thrown carelessly down, no heavy boots drying on the hearth;
one wouldn’t expect any of those things now. And yet their absence
depressed her.
She glided across the thickly-carpeted floor--it was a new carpet--and
looked into his own particular little room. Nothing had changed there.
The bureau from which he had taken the notes for Edred was open. The
shabby rugs were kicked up, the plaster on the walls was in places
discolored. His bicycle, all muddy, leaned against the window ledge,
his gun, his boots, his cap, his thick woolen gloves were strewn about
with masculine carelessness.
“The last thing in the house that a man changes is his own room,” she
said, looking tenderly at a shapeless, deplorable old shooting jacket
which hung limply on a chair. “But she will make him tidy this place
up.”
She! She! She! Who was this girl? She ran through the list of likely
maidens--every Jayne or Crisp or Turle or Furlonger under thirty-five.
It couldn’t be Peggy Crisp of Liddleshorn. It was probably silly,
pretentious Maria Furlonger of the Warren, as Barbara had said.
She turned away, feeling a quick, painful affection for this little,
dirty, dim, north room of his--the only room left untouched. She turned
away, opened the other door, and went along the corridor, thinking that
she might find him in the drawing-room. It was most unlikely; he
disliked that room. But then he had always disliked coal fires, new
furniture, many lights about the house. She was beginning to realize
that only the unlikely would happen at Folly Corner that night.
Public-domain text, read in full here on John Shaqi.
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