It was a wild autumn night, the wind rising and calling warningly down
the chimney. The room was dark, the curtains closely drawn. One gleam
of light, narrow and pointed, pierced through the uncurtained window in
the corridor and fell on the tumbled bed. She had dragged the sheets up
roughly; the blankets were in billows under the cotton quilt, the
bolster, in a case of some coarse, dark stuff, was half doubled and
partly buried beneath the humped-up coverings. As she gave the last
look back before shutting the door she was struck by the oddity of that
untidy bed. Quite unwittingly, in her hurried gathering of linen, she
had achieved the similitude of a human form. The appearance was
sufficiently startling. It was one of those queer, accidental effects
which sometimes occur. The tumbled blankets, under the white quilt
which she had hastily smoothed, the doubled, coarsely-covered bolster,
half hidden, were like the curled-up body and round head of some
sleeper.
She went softly along the passage, down the steps, round the angles, in
the dark, knowing every turn of the way. When she reached the
guest-room she locked the door, lighted the candle, and made the bed.
Directly she was in the shadow of the dim old hangings she fell asleep.
When the house was quiet and dark Gainah crept out of her room and
slipped, in her flat cloth shoes, down the stairs. She had not
undressed, had not even taken the band of dusty velvet from the top of
her head. She crept down to the lower rooms, where the fires were still
burning steadily, and where every article of furniture, new or old,
took fantastic shape. She went about lingeringly from one room to the
other, moving about slowly and stiffly in the dim circle of light which
came from the candle in her quivering hand.
She walked about through one room into another, along the corridor and
back again. Sometimes she sat down for a moment: sometimes she just
stealthily opened a door and peered in. The two clocks, the eight-day
in the dining-room and the thirty-hour in the kitchen, had clanging
tongues of brass. They were the only sounds in the sleeping house. The
hours struck. She did not seem to notice. A threatening change had come
over her. She was full of fever and tremor. Her cold eyes burned with
the fire of amethysts. Her ever-increasing restlessness would not let
her stay in one room long. She went about wearily, stiffly, driven by
some malignant whip. She went into the drawing-room and screwed herself
awkwardly at one end of the cozy corner. She started up almost
immediately. To her hardihood there was a feeling of oppressive luxury
and enervation about that soft, gayly-tricked room. She was such a
persistent worker that her back felt strange against stuffing; she was
more at ease with the broad bars of a rush-seated chair cutting from
shoulder to shoulder.
She went out in the kitchen and moved about uneasily, peering, by long
habit, into drawers, and sniffing, like an eager old dog, for fire.
Public-domain text, read in full here on John Shaqi.
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