He had been out early in the keen brief frost. The bridge of his high
nose was ruddy, his eyes shone. There was about him the intolerant
aggravating air of the person who gets up and goes out while others
sleep. He seemed hungry--a trifle cross.
“I saw you through the window,” he said curtly, giving her a bluff
little nod, and approaching as if to kiss her--the calm kiss that she
imagined she wanted from his mouth. “Haven’t they got breakfast ready?
Will you make the coffee, Pamela? The way you used to make it; nobody
does it so well.”
“Yes, yes!--but look! But what is the matter with her, Jethro? Is it a
fit?”
She pointed to Gainah, stiff, staring, widely smiling; a terrified grin
that had petrified on her wrinkled mouth. He looked. He gave a long,
high whistle, then he seemed terribly touched.
“Aunt Sophy’s been afraid of this,” he said gravely. “We must get her
up to bed.”
He picked the rigid figure up tenderly, as he would have picked up an
ailing child.
Pamela followed him. On the way through the kitchen she told the maids
to send two messengers--one to Turle, another to Liddleshorn for
Egbert.
Jethro was halfway up the stairs, the odd figure bunched up like a
short-coated baby in his long arms. It looked so ludicrous, so
fearsome, that Pamela stepped back from the fixed eyes and stretched
mouth. He went slowly, his hands gripped round the blue gown. He paused
on the landing; paused by the window, with its tiny dull panes, its
wide ledge, on which stood a jar of white honesty-pods--“money in both
pockets,” as Gainah had always called it. Pamela slid by him, keeping
her skirt, her head and hands from contact with the blue gown and
hanging arms. She flung back the door of her old room.
“Carry her in here,” she said. “It is nearer. It is a better room than
her own, too. When the doctor comes--I have sent for Egbert--the room
must be tidy.”
He crossed the threshold; she ran in front and flung back the curtains,
letting in the glad November sun.
“Put her in here. Then go down and send Nettie up. We’ll undress her,”
she said tersely, with the cool air of business that follows a shock.
They both looked at the bed at the same moment. Pamela stared, started,
contracted her forehead. Then she threw a stronger look of terror and
dislike at the doll-like, silly head of Gainah, which hung over
Jethro’s shoulder.
“The wicked old woman!” she gasped. “I always knew she wasn’t safe;
these queer people are much more dangerous than a full-blown lunatic.
All the crimes that one reads of in the newspapers are committed by
people like she was--peculiar people. She meant to murder me. She
thought I was sleeping in this bed. Look at the knife.”
Public-domain text, read in full here on John Shaqi.
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