She walked through the woods which she had once trodden with Edred on a
spring day. Crisp frost--like the icing of Maria’s cakes: Maria’s forte
was iced cake--spread over the thick, dead leaves. Every point on which
her eye dwelt was glittering and white. When she reached Folly Corner
she stopped to look at the cows, standing in golden straw and fenced by
a gray paling on which serpent-green moss stood in a thick pile. Why
wouldn’t the family let them alone--she and Jethro? They were
happy--slow, peaceful, like their cattle: _their_ cattle--she had come
to believe that everything was hers, without the burning, binding tie
of marriage. They were happy. The pensive melancholy and roundness of
the old place, which no builder could inspire with modern feeling, had
eaten into them. They only wanted to be left alone.
She went round the house, meaning to enter, as she usually did, by the
garden door. As she passed beneath the window of her old room she
looked up. It stood open. Gainah was indifferent to temperature: she
was stitching at her interminable quilts. All she had kept of her sane
days was the feverish energy, which now wrought itself on snipping up
stuff and sewing it together again. She wore the same old gown of
blue--they could not take it from her; her hair bunched out on each
side of her chalky face in the absurd bunches of corkscrew curls. The
velvet band across her head was tightly strained: it had made a bald
spot in the middle of the parting--a spot which was rapidly spreading.
Pamela saw her plainly: the restless fingers, distorted by rheumatism,
but quite clean and yellow-white, now that she did not do any housework
or cooking; the worn, blank face, the constantly moving lips. She stood
looking up, not knowing why she stopped, lost in speculation which had
little enough to do with this dormant Gainah.
As she stood there Gainah suddenly looked down. She met the upturned
eyes and gave a terrified baby’s cry. She tried to move, to scuttle out
of sight. But her stricken limbs refused their aid; she began to
whimper with fright at the sight of her victim. A flash of anger
lighted on Pamela’s face. She had never forgiven.
She held up her finger and shook it threateningly.
“Go back,” she cried, “go back to the fire at once,” forgetting in her
irritation that the old woman could not move across the room without
help.
The parlormaid came forward to the window. She caught Gainah by the
shoulder, none too gently, and pulled her away, shutting the casement
with an impatient click.
Public-domain text, read in full here on John Shaqi.
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