She picked a rose and pressed her nose right into the exquisite petals.
The fresh morning air, the farm sounds; dew, sun in a haze of slow
fire, bees streaming brown and yellow from the hives, the old house
foaming with the loose Devoniensis rose and lichened to the roof--all
these drew her.
“To-morrow morning,” he continued, with satisfaction, “I shall be able
to have a whisky-and-soda directly I wake. It pulls a fellow together.
Leave me alone with old Jeth after breakfast--I’m sorry for the poor
devil; you are treating him badly--but a woman has no heart. And, Pam,
hurry up dinner to-day. We’d better start soon after.”
Jethro came round the house from the yard. He looked a little careless
and rough. Directly he caught Pamela’s glance, his aristocratic face,
with the wholesome russet skin, lighted, and he jerked his thumb, with
a smile and a droll, tender gesture, toward the tall ladders and the
litter of the builders.
The house--restful, spacious, substantial; the figure beside it, all
honest devotion, decided her. She turned to Edred, lithe and dark,
flushed at the prospect of early emancipation from Folly Corner, which
had been to him merely a rambling prison with lax rules.
“I’ve altered my mind,” she whispered hurriedly, not daring to look at
him, not daring to stand close, for fear her hand should touch his
coat-sleeve and make her waver. “I’ll stay. I’ll marry Jethro. Don’t
come down. Lead your own life. In future, as you said, I shall only
know you in the newspapers--a day late. I shall be content, happy;
you’ll be free.”
He stared at her in frank amazement. He was disappointed, astounded,
relieved.
“You’ll stay.” He gave his cynical smile; then, as Jethro came up, his
face shining and his hands soiled with the poultry-yard, he strolled
off.
When breakfast was over she threw a look of meaning across the table
and left the room. As she turned to shut the door she saw the two men
disappear in the direction of Jethro’s little den--the home-made bureau
was in there, with the secret drawer and the bank notes.
Gainah was already settled at the oval table by the window, cutting
patchwork hearts, with the aid of a piece of carefully shaped tin.
Pamela went along the narrow passage into the drawing-room and tried to
dust, to rearrange china, alter furniture--anything for bodily energy.
Now and then she heard the loose lick of a plasterer’s brush. The
workmen outside were whistling blithely and calling to each other. They
all seemed to be named Bill. She sat down on the couch and laughed
foolishly. Why was the workingman always called Bill?
Public-domain text, read in full here on John Shaqi.
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