Foot-prints of a letter carrier; or, a history of the world's correspondeceRees, James
History
Foot-prints of a letter carrier; or, a history of the world's correspondece
Rees, James
Postal service -- History; Postal service -- United States -- History
“This song was written in the summer of 1798, when a war with France was
thought to be inevitable, Congress being then in session in
Philadelphia, deliberating upon that important subject, and acts of
hostility having actually occurred. About that time a young man by the
name of Fox, attached to the Chestnut Street Theatre, was getting up
some attraction for his benefit. I had known him when at school. On this
acquaintance he called on me on Saturday afternoon,—his benefit being
announced for the following Monday. He said there were no boxes taken,
and his prospect was that he should suffer a loss instead of receiving a
benefit from his performance, but that if he could get a patriotic song
adapted to the tune of the ‘President’s March’ (then the popular air) he
did not doubt of a full house; that the poets of the theatrical corps
had been trying to accomplish it, but were satisfied that no words could
be composed to suit the music of the march. I told him I would try for
him. He came the next afternoon, and the song, such as it is, was ready
for him. It was announced on Monday morning, and the theatre was crowded
to excess, and so continued, night after night, for the rest of the
season,—the song being encored and repeated many times each night, the
audience joining in the chorus. It was also sung at night in the streets
by large assemblies of citizens, including members of Congress. The
enthusiasm was general, and the song was heard, I may say, in every part
of the United States.”
The President’s March was composed by Professor Pfyle, and was played at
Trenton Bridge when Washington passed over on his way to New York to his
inauguration. An old writer, speaking upon this subject, says, “I have
also reason to believe that the Washington’s March generally known by
that title—I mean the one in the key of G major—was composed by the Hon.
Francis Hopkinson, Senior, having seen it in a manuscript book of his,
in his own handwriting, among other of his known compositions.”
_THE STAR-SPANGLED BANNER._
Was written by Francis S. Key, while on board one of the vessels
composing the British fleet. He was an agent for the exchange of
prisoners, and witnessed in the distance the bombardment of Fort
McHenry. The tune was originally set to the song “To Anacreon in
Heaven,” by Dr. Arnold.
_THE PRESENT AMERICAN FLAG._
Public-domain text, read in full here on John Shaqi.
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