Foot-prints of a letter carrier; or, a history of the world's correspondeceRees, James
History
Foot-prints of a letter carrier; or, a history of the world's correspondece
Rees, James
Postal service -- History; Postal service -- United States -- History
Apart from this act, there is an understanding between the
postmaster-general and postmasters generally relative to obscene and
vulgar postal matter. So far as the secrets of the office are concerned,
that understanding is “contraband.” But this is not sufficient. If the
post-office is to be used as the medium through which the vilest works
of art pass so readily, and calculated to corrupt the innocent and
excite the passions of youth by high-colored pictures, the public, at
least, should know how and why so many reach the persons to whom they
are directed, and to what extent this espionage extends. It would
require no breach of the observance of postal rules to ascertain almost
at a glance the nature of the book or picture which comes under the head
of “indecent postal matter.” These publications, varying in accordance
to the artistic taste of the originators, pass through the office in the
shape of splendid photograph albums, handsomely-bound books, embossed
prints, transparent cards, and “yellow-cover pamphlets,” _à la Dr.
Young_, and photograph cards of a most indecent character. At other
times they are posted as letters, addressed chiefly to young ladies,
containing a card and making the most dishonorable proposals. In several
instances the parents have shown the author these letters, and upon a
close examination he feels satisfied that the only motive the writer had
was to corrupt and demoralize, without the most distant idea of ever
reaping the fruits of his villany. The imagination cannot conceive or
pencil paint a more hideous picture of a fiend than one who would thus
attempt to corrupt the young and innocent by such means. The idea could
only have been suggested by the devil, and as readily carried out by his
agent. Artists of well-known reputation lend themselves to this work of
destruction; and specimens denote the highest order of talent, as well
as the most exquisite workmanship of art,—art devoted to the production
of the most vulgar and disgusting subjects the human mind ever conceived
or a diseased imagination conjured. That very intellect which should
have shed a halo over the pure things of earth is here devoted to the
production of things evil.
Public-domain text, read in full here on John Shaqi.
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