Foot-prints of a letter carrier; or, a history of the world's correspondeceRees, James
History
Foot-prints of a letter carrier; or, a history of the world's correspondece
Rees, James
Postal service -- History; Postal service -- United States -- History
Perhaps there are many of our readers unacquainted with the early
history of the stage and the drama in Philadelphia. True, much has been
written upon the subject; but in almost every instance discrepancies
both in dates and names have occurred.
In the year 1747, one hundred and nineteen years ago, a company of
comedians were performing in this city. As this announcement will no
doubt startle many, we must, as pioneers in the cause of truth and the
drama, be chronological as well as logical in establishing the fact.
The state of society at the period alluded to above was different from
what it is now. A feeble, sickly spirit of aristocracy, even at that
early stage of our history, disgraced alike the moral and intellectual
character of those who caught the infection; and hence a bitter feeling
existed among the various classes making up the great body politic. This
dangerous foe to all social and religious forms was brought over to the
colonies by a few decayed branches of the nobility-trees of England, who
had established a sort of “West End” fraternity along Front Street below
Spruce (in the immediate vicinity of the Loxley House), and which was
known for many years as Society Hill. Broad lines of distinction were
drawn between the classes, and mechanics were looked upon as being so
far beneath the consideration of these “Malaprops” of real life that
servants had to negotiate all business transactions: _the quality had
nothing to do with them_!
In the principal streets, such as Second, Front, Spruce, and even as far
down as South Street, various artisans, shopkeepers, and others had
established themselves in business; and it was here the first attempt
was made to enact plays and lay the foundation of the drama’s temple.
The Quakers, and the more sober portion of other denominations, left no
means untried to break up what they termed “these Satan-like doings.”
It is true, these exhibitions were not publicly announced, and the
citizens generally were not aware of their secret place of exhibiting
“profane plays.” Private as they were, however, sufficient publicity was
given to them to create an alarm among a class of people possessing all
the primitive qualities, as well as virtues, of their great founder.
Public-domain text, read in full here on John Shaqi.
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