Foot-prints of a letter carrier; or, a history of the world's correspondeceRees, James
History
Foot-prints of a letter carrier; or, a history of the world's correspondece
Rees, James
Postal service -- History; Postal service -- United States -- History
A great sensation was created by this theatrical outbreak, and on its
reaching the ears of the Quakers, they, with others opposed to such
“unlawful proceedings and profane exhibitions,” had the matter brought
before the council, or, rather, the recorder, and we find upon his
office-books, bearing date January 8, 1749, gravely written, “The
recorder then acquainted the board that certain persons had taken upon
them to act plays in this city, and, as he was informed, intended to
make a frequent practice thereof, which it was feared would be attended
with mischievous effect, such as the encouraging of idleness, and
drawing great sums of money from weak and inconsiderate people, who are
apt to be fond of such kinds of entertainments, though the performance
be ever so mean and contemptible. Whereupon the board unanimously
requested the magistrates to take most effectual measures for
suppressing this disorder, by sending for the actors and binding them to
their good behavior, or by such other means as they should judge most
proper.”
This proceeding, strange as it may seem, produced quite a contrary
effect; for the company, which was now regularly organized, and was made
subservient to the interests of all concerned, actually stepped out from
behind the law and boldly asked permission from the authorities to enact
plays in some more public place other than the obscure spot they had
selected. Backed by the aristocracy of “Society Hill,” their application
was granted.
What aided to strengthen this company and give it character was the fact
of several members of a West India company arriving here, who
immediately joined them; and thus Richard III., Hamlet, Beau Stratagem,
&c., were played in a manner to please the “million.”
The Philadelphia company left the Quaker City at the close of 1749, and
opened a temporary theatre in a wooden building in Nassau Street, New
York. A writer, alluding to this company and the early history of the
drama, says, “The earliest theatrical performances, in the recollection
of the oldest inhabitants, were in a store on Crugar’s wharf, near Old
Slip, by a company of Thespians, composed of ‘choice spirits’ of a
certain order. They were roystering young men, full of tricks and
mischief, who used to play cricket in the fields, and who spent their
nights at the Boat-House, on Broad Street, near where the United States
Public Stores now stand.” Our readers will recognize in these young men
the Thespian company from the Quaker City. After playing here with some
success, the company left for Virginia.
They then went to Williamsburg, Virginia, and, although William Dunlap
denies the fact in his “History of the American Stage,” yet it is true
that under the presidency of Thomas Lee the Philadelphia company,
strengthened by the addition made to it in New York, obtained permission
to erect a theatre in Williamsburg, and in the year 1750 it was begun
and finished. They played here in 1751.[30]
Public-domain text, read in full here on John Shaqi.
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