Having given an account of the first theatrical exhibition given in this city, and the site of the first theatre, we come now to the second, which may, in fact, be termed the first erected for legitimate purposes. The company continued to play at Plumstead’s warehouse, gaining favor gradually with the public, until June, having remained open two months, and playing to crowded houses. On the 17th of June they played “The Careless Husband” by particular request, the proceeds of which were appropriated to the poor of the city. It is a curious fact in the history of the drama, and one which reflects but little credit upon its opponents, that in almost every case of opposition the belligerent parties were bought over by _money_, and even this came into their hands as _donations to the poor_; but whether the poor ever received a penny of it is a matter time and eternity have already reconciled. Even at the present day there are classes of men whose opinion of actors and theatres would undergo a _material_ change if a portion of the proceeds of the theatrical representations were poured into their laps, and used, as the phrase goes, _for the poor_. In the year 1759 David Douglas opened the second theatre in Philadelphia. This building stood at the southwest corner of South and Vernon Streets. It was built entirely of wood, weather-boarded and painted a dark lead-color. It was a large building, and calculated to hold a thousand persons. Douglas had succeeded to the throne of the “mimic world” in consequence of the death of Mr. Hallam, whose widow he married. Douglas was a man of enterprise, and ambitious to establish the regular drama in the Western World. In the pursuit of this object he at once determined to erect temples to the histrionic muses which in after-years would lead to the establishing of others, whose classic beauty and architectural design might emulate the proudest edifices of the land and find their model in Roman superstructure. In doing this, he had to contend against the prejudices of the people, and select such plays as were calculated to disarm opposition and enlist the liberal in his favor. Thus, he opened the old South Street Theatre with the tragedy of “Douglass,” written, as was stated in the bills, by Mr. Home, minister of the Kirk of Scotland. This was followed by “Hamlet,” which play, it was said, furnished a moral lesson for youth and the regulation of their conduct through life. On the 27th of December a benefit was given towards raising a fund for “purchasing an organ to the college hall in this city, and instructing the charity children in psalmody.”[32]