Douglas, finding the more respectable portion of the community disposed to encourage theatricals, selected a more eligible site for the building of another theatre, and for that purpose fixed on a vacant lot situated at the southwest corner of South and Apollo Streets, above Fourth: hence the error of many historians who confound this with the one at the corner of Vernon Street. This theatre was erected in 1760. Little attention was paid to design in the building. The view from the boxes was intercepted by large pillars supporting the upper tier and roof. It was lighted by plain oil lamps, without glasses, a row of which was placed in front of the stage. The scenery was dingy,—chamber-scenes taken from descriptions of old castles; and altogether the whole presented a dark and sombre appearance. The stage-box on the east side in after-years was fitted up for President Washington, whenever he honored the theatre with his presence, at which time “The Poor Soldier” was played by “desire.” Much was written and published at this time against the immoral tendency of the stage; and a cursory glance at the public papers would lead to a belief that the introduction of stage-plays was deprecated as being a greater evil than pestilence and famine. The fathers of the Church were quoted most appositely on the occasion, and the poor players were near being confounded with the weight of authority against them; for, unfortunately, they could not “quote Scripture for their purpose.” Occasionally some one was bold enough to raise his voice in their defence, but it was heard as the small note of the oaten reed amidst the braying of the warlike trumpet. More, however, is effected by steady perseverance than by violent measures. The players pursued the “even tenor of their way,” and as the mass of the people did not foresee the evil consequences which the more enlightened apprehended, they attracted full audiences, which kept up their spirits in spite of the papal bulls incessantly issued against them. We have here to correct an error of Mr. J. F. Watson in his celebrated “Annals of Philadelphia.” In doing so, the writer of this would merely remark that this error of Watson’s evidently arises from his distaste to the subject of theatres; for had he exercised a twentieth part of his usual judgment in tracing past occurrences, incidents, &c., this would not have occurred. Page 471, first volume of Watson’s Annals, we find this paragraph:—“In 1760 a large building, constructed of wood, situated in South Street above Fourth Street, was opened,” &c. &c. “The managers were Hallam & Henry.” Mr. John Henry, the partner of Hallam in after-years, arrived in New York from England in 1767, and made his first appearance at the John Street Theatre, New York, December 7 of that year. The company was still Douglas’s.