"Haughton coaches a great deal by the use of photographs which are taken of us in practice as well as regular games. He would get us all together and coach from the pictures--point out the poor work. Seldom were the good points shown. Nevertheless, he always gave credit to the man who got his opponent in the interference. Haughton used to say: "'Any one can carry a ball through a bunch of dead men.' "Haughton is a good organizer. He has been the moving spirit at Cambridge but by no means the whole Harvard coaching staff. The individual coaches work with him and with each other. Each one has control or supreme authority over his own department. The backfield coach has the picking of men for their positions. Harvard follows Charlie Daly's backfield play; improved upon somewhat, of course, according to conditions. Each coach is considered an expert in his own line. No coach is considered an expert in all fields. This is the method at Harvard. "Outside of Haughton, Bill Withington, Reggie Brown, and Leo Leary have been the most recent prominent coaches. The Harvard generalship has been the old Charlie Daly system. Reggie Brown has been a great strategist. Harvard line play came from Pot Graves of West Point." [Illustration: KING, OF HARVARD, MAKING A RUN; MAHAN PUTTING BLACK ON HIS HEAD] George Chadwick What George Chadwick, captain of Yale's winning team of 1902, gave of himself to Yale football has amply earned the thoroughly remarkable tributes constantly paid to this great Yale player. He was a most deceptive man with the ball. In the Princeton game John DeWitt was the dangerous man on the Princeton team, feared most on account of his great kicking ability. DeWitt has always contended that Chadwick's team was the best Yale team he ever saw. He says: "It was a better team than Gordon Brown's for the reason that they had a kicker and Gordon Brown's team did not have a kicker. But this is only my opinion." Yale and Princeton men will not forget in a hurry the two wonderful runs for touchdowns, one from about the center of the field, that Chadwick made in 1902. "I note," writes Chadwick, "that there is a general impression that the opening in the line through which I went was large enough to accommodate an express train. As a matter of fact, the opening was hardly large enough for me to squeeze through. The play was not to make a large opening, and I certainly remember the sensation of being squeezed when going through the line.