Franconia Mountains (N.H.); Natural history -- Outdoor books; White Mountains (N.H. and Me.)
There were many more birds here now than I had found six or seven
weeks before; but there was much less music. In early August hermit
thrushes sang in sundry places and at all hours; now a faint _chuck_
was the most that we heard from them, and that but once. And still our
September vacation was far from being a silent one. Song sparrows,
vesper sparrows, white-throats, goldfinches, robins, solitary vireos,
chickadees (whose whistle is among the sweetest of wild music, I being
judge), phœbes, and a catbird, all these sang more or less frequently,
and more or less well, though all except the goldfinches and the
chickadees were noticeably out of voice. Once a grouse drummed, and
once a flicker called _hi, hi_, just as in springtime; and every warm
day set the hylas peeping. Once, too, a ruby-crowned kinglet sang
for us with all freedom, and once a gold-crest. The latter’s song is
a very indifferent performance, hardly to be called musical in any
proper sense of the word; nothing but his ordinary _zee-zee-zee_, with
a hurried, jumbled, ineffective coda; yet it suggests, and indeed is
much like, a certain few notes of the ruby-crown’s universally admired
tune. The two songs are evidently of a common origin, though the
ruby-crown’s is so immeasurably superior that one of my friends seemed
almost offended with me, not long ago, when I asked him to notice the
resemblance between the two. None the less, the resemblance is real.
The homeliest man may bear a family likeness to his handsome brother,
though it may show itself only at times, and chance acquaintances may
easily be unaware of its existence.
The breeziest voice of the week was a pileated woodpecker’s--a
flicker’s resonant _hi, hi_, in a fuller and clearer tone; and one of
the most welcome voices was that of an olive-backed thrush. We were
strolling past a roadside tangle of shrubbery when some unseen bird
close by us began to warble confusedly (I was going to say autumnally,
this kind of formless improvisation being so characteristic of the
autumnal season), in a barely audible voice. My first thought was of a
song sparrow; but that could hardly be, and I looked at my companion
to see what he would suggest. He was in doubt also. Then, all at once,
in the midst of the vocal jumble, our ears caught a familiar strain.
“Yes, yes,” said I, “a Swainson thrush,” and I fell to whistling the
tune softly for the benefit of the performer, whom I fancied, rightly
or wrongly, to be a youngster at his practice. Young or old, the echo
seemed not to put him out, and we stood still again to enjoy the
lesson; disconnected, unrelated notes, and then, of a sudden, the
regular Swainson measure. I had not heard it before since the May
migration.
Public-domain text, read in full here on John Shaqi.
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