Franconia Mountains (N.H.); Natural history -- Outdoor books; White Mountains (N.H. and Me.)
So I go on--a few rods of progress and a few minutes’ halt. If there
are no birds to look at, there are always flowers, leaves, and berries:
goldthread leaves, the prettiest of the pretty--it is a joy to praise
them; and dwarf cornel berries, gorgeous rosettes; and long-stemmed
mountain-holly berries, of a color indescribable, fairly beyond
praising; and bear-plums, the deep-blue berries of the clintonia. And
while the eye feasts upon color the ear feasts upon music: a distant
brook babbling downhill among stones, and a breath of air whispering
in a thousand treetops; noises that are really a superior kind of
silence, speaking of deeper and better things than our human speech has
words for. Quietness, peace, contentment, we say; but such vocables,
good as they are, are but poor renderings of this natural chorus of
barely audible sounds. If you are still enough to hear it--inwardly
still enough--as may once in a long while happen, you feel things that
tongue of man never uttered. Life itself is less sweet. Now and then,
as I listen, I seem to hear a voice saying, “Blessed are the dead.” I
foretaste a something better than this separate, contracted, individual
state of being which we call life, and to which in ordinary moods we
cling so fondly. To drop back into the Universal, to lose life in order
to find it, this would be heaven; and for the moment, with this musical
woodsy silence in my ears, I am almost there. Yet it must be that I
express myself awkwardly, for I am never so much a lover of earth as at
such a moment. Life is good. I feel it so now. Fair are the white-birch
stems; fair are the gray-green poplars. This is my third day, and my
spirit is getting in tune.
In the white-pine grove, where a few small birds are stirring
noiselessly among the upper branches, my attention is taken by clusters
of the ghostly, colorless plant which men know as the Indian pipe (its
real name, of necessity, is quite beyond human ken); the flowers, every
head bowed, just breaking through a bed of last year’s needles, while
a bumblebee, a capable economic botanist, visits them one by one.
Then, as I emerge from the grove on its sunny edge, I catch a sudden
pungent odor of balsam. It rises from the dry leaves, the sunlight
having somehow set it free. In the shade of the wood nothing of the
kind was perceptible. The fact strikes me curiously as one that I have
often been half consciously aware of, but now for the first time really
notice. On the instant I am taken far back. It is a July noon; I am
trudging homeward, and in my proud boyish hand is a basket of shining
black huckleberries carefully rounded over. The sense of smell is
naturally a sentimentalist; or perhaps the olfactory nerves have some
occult connection with the seat of memory.
Public-domain text, read in full here on John Shaqi.
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