Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
General
Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
lake and mountain; and an inscription for the tablet to his memory was
furnished by the venerable Bard of Rydal Mount, who succeeded him in
the laureateship, and was, ere long, laid at rest at no great distance
from his former compeer.
THOMAS MOORE.
The original genius, exquisite sensibility, independent spirit, and
incorruptible integrity, which the greatest scholar of his age ascribed
in his will to this bright and fanciful bard from the “Emerald Isle,”
have been generally admired and acknowledged. Indeed, notwithstanding
his multitudinous and peculiar temptations to love patrician personages
not wisely, but too well, few men of genius have ever excelled or
equaled Moore in these important and laudable qualities for which Dr.
Parr gave him credit, any more than in the brilliancy of his intellect
or the strength of his domestic affections. That he passed through a
severe ordeal, and was exposed to many trials, can hardly be doubted.
The early recognition of rare talent is too frequently fatal to its
possessor; and the celerity of Moore’s transit from the humble parlors
in the Irish capital to fashionable saloons and the banquets of princes
was quite amazing, and well-nigh unprecedented. Yet he appears, without
ostentatiously and perpetually proving the fact by bellowing it into
the public ear, to have maintained his freedom of thought and action
almost unimpaired to the end of his life. The career of such a man is
necessarily fraught with interest and instruction; and the boyhood
of a poet is always a subject especially worthy of being dwelt upon,
as being replete with profit to the young and information to all.
Who, indeed, can read without emotion of the gentle Cowper, being
maltreated by his school-fellows at Westminster, and not daring to
lift his eyes above the shoe-buckles of the elder boys; or of Scott,
seated by some ruined edifice devouring ancient ballads, and gazing
with rapture on the landscape in view; or of Byron, stretched on the
old tombstone of Harrow, with the strong ambition in his mind and the
bitter disappointment in his heart that were destined to unite and
bring forth glorious but melancholy fruits; or of Wordsworth, the Bard
of Contemplation, receiving the poetic impulse while led to and fro on
the romantic banks of the Derwent? In a different and less attractive
scene must we look for the earliest aspirations and exploits of the
gifted youth whose songs, so gay, rich, and choice in their language,
afterward held the fair and courtly in mute attention――whose sparkling
wit proved so effective a weapon in political controversy; and whose
spirit qualified him so perfectly to unite his national music to
immortal verse.
Public-domain text, read in full here on John Shaqi.
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