Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
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Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
In the circles he frequented it was his lot to become intimate with
Lord Byron, to whom he had introduced himself by something resembling
a challenge; and when, in 1819, he made that journey to the Continent
which furnished him with matter for his “Rhymes on the Road,”
Moore visited the great, but erring and unhappy, author of “Childe
Harold,” then residing near Venice. It was then that the noble and
long-descended bard confided to his charge the autobiography, which
was ultimately consigned to the flames, after it had entailed on the
Irish melodist infinite trouble, anxiety, and annoyance, and that
shortly after the time when the conduct of the individual who acted
as his deputy at Bermuda had driven him from England, and involved
him in serious pecuniary difficulties and embarrassments. On leaving
Italy, Moore betook himself to Paris, where he was treated with high
honor and distinguished by a public dinner, which, as a mark of esteem
and admiration, was particularly grateful to the heart and feelings
of the accomplished exile. While there, he wrote the “Loves of the
Angels,” containing passages of great beauty, passion, and tenderness,
but considered inferior to the former effusions of his versatile muse.
This may be accounted for by its publication having been hastened by
the announcement of Lord Byron’s “Heaven and Earth,” understood to be
founded on the same passage of Scripture――a very sufficient explanation
of its holding a secondary place among its author’s productions. His
latest work of imagination was the “Epicurean,” an Eastern tale in
prose, and in a spirit of pure romance.
In 1825, Moore visited Sir Walter Scott at Abbotsford, and was
entertained with wonted hospitality by the mighty novelist, who
did not fail to conduct his charming and interesting visitor to the
Rhymer’s Glen, and all the spots renowned in Border history and
tradition, which he was accustomed daily to haunt and draw inspiration
from. Yet it may fairly be questioned whether the sunny heart and
voluptuous imagination of the sentimental love-singer, which had
luxuriated in all the gorgeousness of Oriental scenery, and in the
meeting of “bright waters” in sweet and happy valleys, would be very
deeply impressed while viewing the purple peaks of Eildon, or crossing
the “Leader’s silver tide,” which were the pride and consolation of the
“last minstrel’s” checkered existence.
Public-domain text, read in full here on John Shaqi.
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