Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
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Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
The intention of Chantrey’s guardians and his apparent destination were
changed by an accident, which, though seemingly trifling in itself,
was of the utmost importance in his career. He was passing along the
street, and staring about with all the wonder of a youthful peasant,
when suddenly some figures in the window of a shop arrested his eye,
and filled his heart with an irrepressible longing to be a carver of
wood. This wish he repeated with so much ardor and earnestness, that
his friends saw reason to accede to a desire, which was evidently
the result of no mere ephemeral sentiment. They had, of course, as
little idea of sculpture as they had of the moon, or the north pole,
or the Chinese empire. A picture, indeed, they could have admired. A
lady shining on the painter’s canvas, in all the pride of gems and
rich attire, would have raised their wonder: but the severity of
marble catches not the popular fancy; and had the boy’s tendency been
explained, they would still have been in the dark as to what he would
be at. Luckily, common sense taught them that it would be downright
stupidity to place at the dreary desk a lad whose heart was set upon a
very different occupation from that of copying deeds. They, therefore,
consented to his being apprenticed to a wood-carver in the town; and
he entered on that course which led him on, from small beginnings, to
affluence and celebrity. It happened that at his new master’s house
he had the good fortune to make the acquaintance of a distinguished
draughtsman in crayon, and immediately exhibited a lively interest in
that individual’s occupations. He took infinite pleasure in seeing him
paint, and was careful to make himself as useful and agreeable as was
in his power. In this way he soon felt ambitious of following art as
a profession, in some higher field than that to which his labors were
then confined. He had already made all the progress in carving which,
under the circumstances, could be achieved by skill, perseverance,
and enthusiasm. During the intervals of business he did not waste or
dissipate an hour of his precious time, but was constantly at study;
and even at the midnight hour he might have been found in his lodgings,
with a light burning, engaged with groups and figures, and working with
the utmost spirit and the rarest diligence.
Public-domain text, read in full here on John Shaqi.
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