He now undertook a professional tour in Scotland, and executed, besides other works, statues of the famous Lord Melville and Lord President Blair, as also an admirable bust of Professor Playfair, for Edinburgh; and on returning, he was commissioned by Government to execute some monuments for St. Paul’s Cathedral. About this date, Chantrey had the penetration to perceive and the fortune to secure in Allan Cunningham, the popular biographer of British artists, an assistant who united literary capacity and a fertile pen to the shrewdness and indefatigability usually supposed to appertain to the natives of North Britain. That Scottish adventurer, the son of a gardener to the person from whom Burns rented his farm, after having been apprenticed to a builder, composed a volume of songs, and came to push his fortune in London. He was now engaged by Chantrey, who had a sharp eye to his own interest, as clerk in his studio, and superintendent of his works. At the conclusion of the war, Chantrey made a journey to Paris, which he had previously visited at the peace of Amiens, and inspected the various artistic works in the Louvre with much interest. From this point his progress in public esteem was steady and gratifying. On returning from the Continent he commenced the monument of the Two Sisters for Lichfield Cathedral; and when this exquisite specimen of his skillful fancy was exhibited at the Royal Academy in 1817, it was regarded as marvelous for its grace, pathos, and beauty. The press to see it was unprecedented; mothers wept over the representation; children lovingly kissed the figures; and the effect it produced on the minds of beholders was deep, impressive, and enduring. Soon after he produced the statue of Lady Louisa Russell, daughter of the Duke of Bedford, fondling a dove in her bosom. She stands on tiptoe; and the attitude of the figure is said to be so singularly natural, that a little child of three years old coming into the sculptor’s studio held up its little hands to the figure, and addressed it under the impression that the form was a living one. In 1818, Chantrey was worthily elected a member of the Royal Academy, and as his presentation work executed a bust of West, its venerable president. Becoming about the same time a member of the Royal Society, he presented a bust of the celebrated Sir Joseph Banks, then president. Next year he went to Italy, and while at Rome he had much friendly and familiar intercourse with Canova and Thorwaldsen. With the former he enacted the amicable ceremony of exchanging cloaks on parting.