Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
General
Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
Operations were forthwith commenced in earnest, but though there was
practiced none of the tardiness which had characterized the preliminary
arrangements, the gigantic magnitude of the work occasioned a delay of
years; and it was not till the third quarter of the eventful century
had passed that the scorched ruins were altogether removed, and the
first stone laid by the great architect, under whose superintendence
it was completed in the comparatively brief space of thirty-five
years. Previously to the work being entered on, Wren had the honor of
knighthood conferred on him; and about the same period he married a
lady of Oxfordshire; though he had reached his forty-second year――an
age at which men are generally rather disinclined to relinquish their
freedom. He was speedily blessed with a son, who, in 1700, laid the
last and highest stone of the cathedral, in presence of the principal
persons employed in the building. Wren subsequently planned no fewer
than fifty new ecclesiastical edifices for the metropolis; and no
man, however high in that art, which is half a science, and therefore
requires mathematical knowledge in its votaries, ever imitated with so
much success the churches of Italy. His mind was vigorous, his judgment
accurate, and he excelled in unity and elegance.
In July, 1669, he had experienced the satisfaction of seeing the first
of his architectural designs realized. This was the theatre at Oxford,
founded by Archbishop Sheldon. It was opened with great and imposing
solemnity; and the munificent founder marked his appreciation of the
skill displayed in the building by presenting Wren with a golden cup,
and appointing him one of the curators for life.
Meantime the plague of London had drawn public attention to the
defective state of its architecture, and the great conflagration had
afforded an opportunity of introducing extensive improvements. Wren
then stood forth as an architect capable of making a new and extensive
city arise, phœnix-like, from the ashes. He earnestly desired to give
beauty and dignity to a capital of whose greatness, in other respects,
he spoke in language of enthusiasm. His proposal was to run a spacious
street, in a direct line, from St. Paul’s to the Exchange, another to
the Tower, and a third westward to Piccadilly. The bank of the river
was to be adorned with a terrace, and there he proposed to place the
halls of the twelve great city companies. This scheme, which had the
warm support of the king and his ministers, was all but frustrated by
the citizens, who found that it unfortunately interfered too much with
the rights and property of private individuals to be realized to any
satisfactory extent.
About this period he was sauntering with Charles the Second through
the hunting-lodge at Newmarket, in reference to which his majesty
remarked――
“These rooms are too low.”
Public-domain text, read in full here on John Shaqi.
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