Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
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Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
thing in particular or fixing upon any plan of life.
The intellectual faculties of Smith were at this season in almost as
great peril of being lost to the world as when he had been carried by
gipsies into the recesses of Leslie Wood. The crisis of his fate had
arrived, and while pondering in his solitary chamber, or subjected to
embarrassing questions at Kirkaldy tea-parties, he must often have
mused, with concern, over the magnitude of the sacrifice he had made
in relinquishing the course which had been chalked out for him. It
was really one of no trifling character, for the circumstances of his
native land, never very favorable, were then such as to render it in
the last degree difficult for youths, even of the most respectable
parentage, to discover a career worthy of being followed. A chivalrous
writer of this generation, in his zealous defense of a new school of
artists, apparently flushed with triumph, and under the impression,
not only that things are sadly out of joint, but that he was born to
set them right, travels out of his way to suggest a new school of
philanthropists, and recommends some half-dozen thorough-bred gentlemen
to take to the green-grocery trade or some other of the kind, just to
show that there is nothing dishonorable in such occupations, and thus
regenerate society. The sagacious Scots of another day seem to have,
to a considerable extent, anticipated that counsel, though without
pretending that they were thereby entitling themselves to the credit
of any very sublime or beneficent self-sacrifice. Smith’s friend, the
romantic author of “Douglas,” whom Nature seems to have designed for a
knight-errant, was somewhat unreasonable in his complaint――
“Sprung from the haughty nobles of the land,
Upon the ladder’s lowest round I stand;”
Public-domain text, read in full here on John Shaqi.
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