Another “merrie jest,” but with a lowlier scene and an humbler _dramatis personæ_, raised the laugh of many a common-room and wine-party about the same period of my own undergraduate recollections. There was an ancient woman, blear-eyed and dim-sighted, “worn nature’s mournful monument,”[121] who had the far and wide repute of witchcraft among the College servants and the “baser sort” in the suburbs of the town; but in reality she was a mere “wreck of eld,” a harmless and helpless old creature, who stood at more than one college-gate for alms. Her well-known name was Nanny Heale. Her cottage, or rather decayed old hut, leaned against a steep mound by the castle-wall, and was so hugged in by the ground that, from a path along the ramparts a passer-by might cast a bird’s-eye look down Nanny’s chimney, and watch well her hearth and home. One winter evening certain frolicsome wights, out of College in search of a channel for the exuberant spirits of their age, were pacing, like Hardicanute, the wall east and west, when a glance down the witch’s chimney revealed a quaint and simple scene of humble life. There she crouched, close by the smoking embers, peering into the fire; and before her very nose there hung, just over the fire, a round iron vessel, called in the western counties a crock, filled to the brim with potatoes, and without a cover or lid. This utensil was suspended by its swing-handle to an iron bar, which went from side to side of the chimney-wall. To see and to assail the weak point in a field of battle is evermore the signal of a great captain. The onslaught was instantly planned. A rope, with a hook of iron at the end, was slowly and noiselessly lowered down the chimney, and, unnoted by poor Nanny’s blinking sight, the handle of the iron pot was softly grasped by the crook, and the vessel with its mealy contents began to ascend in silent majesty towards the upper air. Thoroughly roused by this unnatural and ungrateful demeanour of her lifelong companion of the hearth, old Nanny arose from her stool, peered anxiously upward to watch the ascent, and shouted at the top of her voice: “Massy ’pon my sinful soul! art gwain off--taties and all?”[122] The vessel was quietly grasped, carried down in hot haste, and planted upright outside the cottage-door. A knock, given for the purpose, summoned the inmate, who hurried out and stumbled over, as she afterwards interpreted the event, her penitent crock. “So then,” was her joyful greeting--“so then! theer’t come back to holt, then! Ay, ’tis a cold out o’ doors.”