For Every Music Lover: A Series of Practical Essays on MusicMoore, Aubertine Woodward
History
For Every Music Lover: A Series of Practical Essays on Music
Moore, Aubertine Woodward
Music -- History and criticism
Thus arose the Mystery, Miracle, Morality and Passion Plays, the direct
progenitors of the Opera and the Oratorio. The descent of the Opera may
be traced also to another source, to the secular play which persisted in
the face of ecclesiastical disfavor and the ban that excluded its
players from the church sacraments.
Strolling histriones, jongleurs and minstrels passed from court to
court, appeared in castle yards, market places or village greens,
recited, acted, sang, danced and played on musical instruments. They
afforded a welcome means of communication with the outside world; they
broke up the monotony of life when events were few. As modern music
rests on the two pillars of the Gregorian chant and the folk-song, so
the opera rests on the two pillars of the religious drama and the
people's play.
During the high tide of the revival of Greek learning in Italy, late in
the sixteenth century, a group of the aspiring young nobility of
Florence, gentlemen and gentlewomen, adopting the dignified name of the
"Academy," resolved to recover the much discussed music of the Greek
drama. The place of rendezvous was the palace of Count Bardi, a member
of one of the oldest patrician families in Tuscany. Edifying discourse
and laudable exercises were indulged in by the guests, among whom were
several persons of genius and learning. The meetings were presided over
by the host, himself a poet and composer, as well as a patron of the
fine arts.
The culture of the times demanded a higher gratification for man's
dramatic cravings than either rude religious or secular plays afforded.
Other music was required to depict the emotions than that of the
contrapuntist, with its puzzling intricacies. So thought these ardent
Hellenists, and a burning zeal possessed them to mate dramatic poetry
with a music that would heighten and intensify its expression and
effect. They who seek are sure to find, even if it be not always the
object of their search. In the earnest quest of these reformers for
dramatic truth an unexpected treasure was disclosed.
Public-domain text, read in full here on John Shaqi.
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