For Fortune and Glory: A Story of the Soudan WarHough, Lewis
History
For Fortune and Glory: A Story of the Soudan War
Hough, Lewis
Great Britain -- History, Military -- 19th century -- Fiction; Sudan -- History -- 1881-1899 -- Fiction
But the camel was consistent, and steadily refused to form the slightest
attachment to anything human. You remember the genii in the "Arabian
Nights Entertainments" who were forced to serve powerful magicians, but
who hated them and longed to tear them in pieces all the time, and did
so, too, if the omission of some necessary incantation gave them the
power. Well, the camel seemed like one of these subjugated spirits, an
excellent servant, but a most unwilling one, and resenting the power to
which, forced by inevitable destiny, he yielded implicit obedience.
Evidently he was a fatalist, like the people he lived amongst.
When he was being loaded for the journey he moaned and howled as if he
were being beaten to death, and whenever a start was made, the outcry of
hundreds of the creatures remonstrating at once was something perfectly
unparalleled in the way of horrid and dismal noises.
"Sure," said Grady on the first occasion, "I have often heard spake of a
howling wilderness, but I never knew what it meant before at all. But I
see now; it's the camel that does the howling."
But once started he seemed to make up his mind to the inevitable. While
he was uncertain what Fate had in store for him he groaned and lamented,
but once he knew the worst he thought it was no use bothering, and
proceeded on his way in apparent content.
Indeed, that seemed to be his one aim and object, to be always going
straight on to some place a long way off and never arriving, like the
Wandering Jew. As for his appearance, you have probably often seen a
camel in the Zoological Gardens or a wild beast show, and know his
weird, shapeless, uncanny look, with the beard on his upper lip, and the
hard natural pads on all parts of him which touch the ground when he
subsides for loading or unloading; his chest, knees, and so on. An
experienced man has described his motion when he trots in this
way:--"Put a horse into a cart without springs, in the cart put a
rickety table; on the table place a music-stool screwed up as high as it
will go. Now seat yourself on the music-stool and gallop over a
ploughed field, and you will have a very correct notion of the sensation
of riding a trotting camel." But with practice the motion is much
easier, and with so many hours in the day in the saddle the troops had
plenty of practice.
The position at Gakdul was naturally strong, and with the aid of art was
made perfectly impregnable, forming a place to fall back upon in case of
need. The camels, it has been explained, utterly declined all friendly
advances, but the affections of the company Kavanagh belonged to were
not on that account destined to grow utterly rusty for want of use,
since a dog had attached himself in every sense of the word to it.
Where the dog came from and to whom he belonged originally were matters
as mysterious as his breed, which seemed to partake of several
varieties, amongst which the native sheep dog was the most perceptible.
Public-domain text, read in full here on John Shaqi.
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