For love and life; vol. 1 of 2Oliphant, Mrs. (Margaret)
General
For love and life; vol. 1 of 2
Oliphant, Mrs. (Margaret)
Fiction
one taking the further corner of the same seat on which he had placed
himself; while the elder, a cheerful middle-aged woman, whose comely
countenance became the close white cap, and whose pleasant smile did it
honour, sat opposite to her companion.
I cannot say that this arrangement pleased Edgar, for the other was
young--a fact which betrayed itself rather by some subtle atmosphere
about her than by any visible sign--and his curiosity was piqued and
himself interested to see the veiled maiden. But, after all, the
disappointment was not great, and he leaned back in the hard corner,
saying to himself that the third class might be the thing, but was not
very comfortable, without any particular dissatisfaction.
Two other travellers, a woman and a boy, took their places opposite to
him. They were people from London, who had gone to Scotland for the
boy’s holidays after some illness, and they brought a bag of sandwiches
with them and a bottle of bad sherry, of which they ate and drank as
soon as the train started, preparing themselves for the night. Then
these two went to sleep and snored, and Edgar, too, went partially to
sleep, dozing between the stations, lying back in the corner which was
so hard, and seeing the dim lamp sway, and the wooden box in which he
was confined, creak, and jolt, and roll about as the train rushed on,
clamping and striding like a giant through the dark. What a curious,
prolonged dream it was--the dim, uncertain light swaying like a light at
sea, the figures dimly seen, immoveable, or turning uneasily like
spectres in a fever, veiled figures, with little form visible under the
swaying of the lamp; and now and then the sudden jar and pause, the
unearthly and dissipated gleam from some miserable midnight station,
where the porters ran about pale and yawning, and the whole sleepy,
weary place did its best to thrust them on, and get rid of the intruder.
Public-domain text, read in full here on John Shaqi.
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