For love and life; vol. 2 of 2Oliphant, Mrs. (Margaret)
General
For love and life; vol. 2 of 2
Oliphant, Mrs. (Margaret)
Fiction
This was all that Edgar picked up out of a flood of unimportant
communications. He could not even find any clue to the place where these
denominational records were kept, and by this time the day was too far
advanced to do more. Drearily he left the grimy little street, with its
damp pavements, its poor little badly-lighted shops and faint lamps, not
without encountering the new Rector in person, an omniscient personage,
who had already heard of his inquiries, and regarded him suspiciously,
as perhaps a “Methody” in disguise, planning the restoration of dissent
in a locality just purged from its taint. Edgar was too tired, too
depressed and down-hearted to be amused by the watchful look of the
muscular Christian, who saw in him a wolf prowling about the fold. He
made his way into the main road, and jumped into a hansom, and drove
down the long line of shabby, crowded thoroughfare, so mean and small,
yet so great and full of life. Those miles and miles of mean, monotonous
street, without a feature to mark one from another, full of crowds of
human creatures, never heard of, except as counting so many hundreds,
more or less, in the year’s calendar of mortality--how strangely
impressive they become at last by mere repetition, mass upon mass, crowd
upon crowd, poor, nameless, mean, unlovely! Perhaps it was the general
weariness and depression of Edgar’s whole being that brought this
feeling into his mind as he drove noisily, silently along between those
lines of faintly-lighted houses towards what is impertinently, yet
justly, called the habitable part of London. For one fair, bright path
in the social, as in the physical world, how many mean, and darkling,
and obscure!--how small the spot which lies known and visible to the
general eye!--how great the confused darkness all round! Such
reflections are the mere growth of weariness and despondency, but they
heighten the depression of which they are an evidence.
Public-domain text, read in full here on John Shaqi.
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