For Sceptre and Crown: A Romance of the Present Time. Vol. 2 (of 2)Samarow, Gregor
History
For Sceptre and Crown: A Romance of the Present Time. Vol. 2 (of 2)
Samarow, Gregor
Austro-Prussian War, 1866 -- Fiction
The portière that divided this room from her bedroom was drawn back. It
was a spacious apartment hung entirely with grey silk even to the
curtains of the bed, upon which lay the countess in a white négligé,
supported by pillows. The sleeve of her right arm was thrown back, and
the dreadfully inflamed arm was covered with a wet compress, which a
maid who sat near the bed moistened constantly with some strongly
smelling fluid from a medicine bottle.
Clara's face was much flushed, her eyes had the brilliance of fever,
but they looked calmly resigned, as her friends entered with their
sorrowful faces.
As soon as he saw the poor suffering girl, von Stielow rushed past the
others, and falling on his knees beside the bed and folding his hands,
cried in a stifled voice, "Clara, my Clara!"
"My own friend," she said gently, and stretched out her soft left hand
towards him, "how beautiful life is, how sad to think of the death that
is so near me,--God will be gracious, He will not part us!"
Stielow bent his head down upon her hand, and touched it lightly with
his lips. He could not say a word. Only a deep sob broke from him.
Count Rivero approached the bed with a quick step and a commanding
movement.
"Hope! countess," he said in a firm, clear voice, "God will bless my
hand! And now, baron, give up your place to me, moments are precious!"
He slightly touched the shoulder of the young man as he knelt.
He rose hastily and stepped aside.
The count removed the compress, and calmly examined the wound. It was
much swollen, of a bluish colour, and long streaks of inflammation
extended to the shoulder.
All eyes rested on the count's face with the most earnest anxiety; he
looked at the wound attentively and lightly followed the swelling with
his finger. Clara gazed with surprise mingled with hopeful confidence,
at this man who was quite unknown to her, but who stood so quietly
beside her and who had so confidently said to her, "hope!"
The count concluded his examination.
"It is quite true," he said; "corrupted matter has got into the wound,
the poison has spread greatly, it is almost too late!"
He opened the black casket he had brought with him, and which he had
placed beside him on the table.
It contained a small surgical apparatus, and several little cut glass
bottles.
The count took a knife with a golden handle and a highly-polished
shining blade.
"I beg your pardon, countess," he said in the tone of a man of the
world, "I must hurt you, it is necessary."
The young countess smiled.
The count took firm hold of the suffering arm, and quick as lightning
cut two deep gashes crossing each other into the wound.
Thick blood mixed with matter flowed from it.
"A handkerchief!" cried the count.
They gave him a cambric handkerchief; he quickly removed the blood,
seized a glass bottle, opened the wound widely and poured into it a
portion of the contents.
Clara's face grew deadly pale; she closed her eyes, her lips quivered
convulsively.
Public-domain text, read in full here on John Shaqi.
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