Teresa's curiosity as to results led her very close to it, for her new
sister-in-law was a thorn in the side of the bovine ponderous
Californian, by whom the "brown girls" had been accepted as a part of
domestic life. Ever since she had listened that day to the story of
vengeance in Old Mexico, she had resented everything about it, even the
child of that strange marriage, the child who had inherited--who knew
how much?--of the blood and instincts of that saintly, half-Indian nun.
Yes, Teresa would have dearly loved to watch Raquel Estevan when the
story was told; also the story of Rafael's latest infatuation; yet, all
the Arteaga boys had died violent deaths, and she had no wish to see the
last one of them murdered. She was certain that if it did happen, the
ghost of Dona Luisa would be at the foot of her bed every night, and she
would have to pay a lot for masses. They cost thirty-five dollars since
the padre was building new fences around his orchards. So she contented
herself with wishing as much as she dared without being held liable by
the ghost of Dona Luisa in case of accidents. And then Ana was always
there with her eyes, and if any one did tell Alvara, Ana would ferret it
out, and she had such a tongue!
While they reassured the old man, and told him the troublous days of
San Juan were nearly over, the Indian boy from the San Joaquin ranch
stopped at the gate.
"There is a letter for Dona Ana Mendez," he said. "It came last night.
Dona Refugia sent it."
"Dona Refugia?" Ana knew that her aunt could not write, and that the
accomplishments of her daughters in that line extended to the ability to
inscribe their own names. She glanced at the message, and her lips grew
suddenly white as she noted the writing.
It was in pencil, written very plainly. The envelope was folded from a
page of letter-paper and sealed with gum of some sort. When she opened
it, she found the written page was a communication to Mr. Bryton
concerning saddle-horses. But a pencil was drawn through the lines, and
around the Bryton letter was written the real message, and it was very
brief:
_"A man is hurt here. Can you in quiet help him to San Juan?"_
An arrow and a cross were the only signature.
Teresa watched Ana questioningly. Letters to women were rare in San
Juan, where few women could read; it must be of a death, or something of
great importance.
But Ana told nothing, only ordered the boy to go to Ysadora for some
lunch before he started back, and to tell Dona Refugia that all was
well at San Juan. Though Dona Teresa listened closely, that was all she
could hear that was said, and then she knew, of course, that Ana did not
intend to remain a widow. She had a lover who wrote letters, an
Americano perhaps; the Mexicans did not trouble themselves with such
useless learning, now that the old padres were gone.
Public-domain text, read in full here on John Shaqi.
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