"Your child, and the mother of it there in the willows, are my care,
Rafael Arteaga, as they would have been the care of your mother, had she
lived. I have sworn to that dying mother to live beside you, and guard
you from what harm I can, but if you still take your marriage vows to
the willows, you put aside the sacrament of your marriage to me. Never
again, while you choose to live like that, must you cross to me where
this altar is. I guard your soul for your mother, but by the Virgin, and
by this cross on the dagger, I will send you to account there where she
is, if you come to me like that again! I give my life to keep my vow;
but if you drive me to it, my soul may yet have to pay in the other life
for the loss of your own!"
As he stumbled out of the door he met the Padre Libertad pacing the
corridor, as usual, with his book. He did not lift his eyes or speak,
and Rafael passed on sullenly, muttering an oath: each way he turned in
the Mission he met an altar or a priest!
Ana, coming through the portal of the inner court, met him there, and
heard the oath, and was filled with fear of a discovery so appalling
that her woman's wit left her, and she blundered and caught his arm and
questioned.
"But, Rafael, he has done nothing. That he was at the door of Raquel is
not--"
"Sure, it is not," he agreed, scoffingly. "But when a man has a wife of
his own,--even Raquel Estevan de Arteaga,--he does not want a black gown
and a monk's cowl forever as her shadow."
They were outside the window of Keith Bryton, and the words reached the
ears of the man on the bed there, and brought him reeling but determined
to his feet.
It was the first word reaching him by which he could grasp at the
reality of the life about him; all the vague dreams were dashed aside by
that name, "Raquel Estevan de Arteaga." It cleared the visions of the
fever his nurse had feared to dispel too quickly, and in one staggering
flash he saw the truth: the "dream" of the California life was no dream,
it was the real life to be met and fought again. Where was he, that the
voice of Rafael Arteaga dared ring with such imperious directions? He
reached the barred window dizzily and leaned his head against the high
ledge. The world whirled about him for a moment, and when it stopped
and stood still, he again heard the voice of Rafael, irritated this time
into more intolerant speech by some eager protest of Ana.
"Oh, ho! That is the man, is it? And he saved her from Juan Flores that
night? That is news--God curse him!"
"Rafael!" and the woman's voice was full of horror. "You are crazy with
brandy; you do not know how you speak. Go to your bed and sleep. That
man saved your name and your wife from disgrace, and you have only
curses for him in your mouth!"
Public-domain text, read in full here on John Shaqi.
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