By turning her head she saw Rafael put out his hand suddenly to his
wife, who had sunk back on the cushions beside the bishop. His manner
suggested that he thought her ill. Keith could see the same without
turning his head. But even after he observed the lace-draped shoulders
straighten themselves, and the head held again proudly erect under the
mantilla, he continued to gaze after them, unconscious that the blue
eyes opposite him were alive with curiosity.
"One would think you were a long-lost brother, from the way that woman
stared," she remarked. "One would think she would show more restraint
when riding in state beside the bishop, and with her husband opposite."
Keith recovered himself and turned his attention to her.
"Was that Rafael Arteaga's wife?" he asked, carelessly. "I supposed it
was, but have not had the honor of being presented."
"Well, they told me she would not notice heretics, but one heretic was
the only person she noticed in this carriage. How she looked at you! I
told you she had nasty staring eyes, like augers boring through one. Did
you see, Dona Maria? Did you not fear she would disgrace us all by
leaping into the carriage?"
Dona Maria's black, bead-like eyes were regarding the young man
curiously.
"It may be a custom of Mexico for ladies to show attention to strange
men in that way," she observed, guardedly. "It may be so. I had never
heard of it. The new lady of the Mission is teaching San Juan many new
things, but I do not think she will teach it that sort of manners. They
do not compare well with the American ladies' manners--no?"
"I fancy it was only as your escort she was gracious enough to turn and
look at me; she might have fancied I was known to her. She looks very
young."
"You would forget she was young if you heard her talk to the padre,"
returned Dona Maria, significantly. "It was enough to bring a
malediction on all our heads to listen to it!"
"The bishop has forgiven her; at least it looks so."
"Oh, she is clever! He thinks she is a saint, this bishop. But the padre
knows!"
She did not add, "and I know," but her thin cold lips with their
satisfied smile suggested as much, and Bryton, observing it, felt anew
that the girl from Mexico had a strong team to fight in Dona Maria and
the padre.
[Music: _The Magpie's Reveille_ (Indian Gambling Song)]
"A'a'a'i-ne! A'a'a'i-ne!
Ta'a'-ni-aine! Ta'a'-ni-aine!
Bita alkaigi dike yiska ne.
Gayelka'! Gayelka'!"
TRANSLATION.
The magpie, the magpie, here underneath,
In the white of his wings
are the footsteps of the morning.
It dawns! It dawns!
[Music]
CHAPTER IX
When the night was old, and others slept, Raquel Arteaga crept in
silence to the bedside of the old Indian woman of the hill tribe who had
been her nurse, who was still her maid, and who was the one link she
kept near her of the old life.
Public-domain text, read in full here on John Shaqi.
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