"You heard that? Then you know the life I have to live." He nodded,
without lifting his head from the pillow of her arm. There are some
things hard to face with open eyes, but she felt the shudder that passed
over him. Through the opened window came the rise and fall of many
murmuring voices repeating the rosary. In the gold-of-Ophir rose-tree
two birds fluttered and called to each other in the very whisper of bird
notes. The soft lavender-grays of a Californian nightfall were sifting
through the warm light of the afterglow, and away there in the west
stretched bars of blood red, the last trace of the dying day. All the
sequestration of the hour was about them, all the hush of the pause,
before the final plunge of their day into the shadows, and the two souls
were enveloped by the atmosphere of that ever-recurring tragedy of the
hours, and of lives.
How long he knelt there he did not know. She felt his lips on her
wrist, and felt rather than heard the broken words he was
whispering--the wild, mad words he had meant not to say, as he had meant
not to touch her; then her eyes grew bright as the stars picking their
way through the vault of blue, and the golden-haired woman of the
carriage belonged to a feverish phantasy of the past hours. She might
exist, that golden-haired creature of beauty, but the real life of the
man who knelt there in the dusk belonged only to her, to her always,
through the bond of one starlit Mexican night of witchery, and this last
hour of the California day.
Nothing made any difference now; though she lived in a hell of purgatory
all her waking life, the bonds of their dream life would be closer than
all else--always, always!
She felt suddenly well and strong. Ah, there was so much in the world to
live for! Though they never met, never spoke again, this hour of the
tryst would be his through all her life--her hour of a rosary of the
heart.
A girl's voice in the patio came softly through the dark in an old
Spanish hymn. It was Juanita, and the service of prayer was ending in
the usual duo; one of the vaqueros with a fine barytone voice was
singing the echoing stanzas of praise.
It was the signal for dispersing, but the man at the couch did not know
that. Neither did he know that the crouched form of the Indian was no
longer in the hall. She was waiting in the dusk at the door, and she was
clutching with a claw-like hand at the robe of the padre, and muttering,
"He is there--it is true. He is there--and she is again bewitched. Now
you will help me to kill the American?"
The padre looked at her sharply, and then motioned to Ana, who was close
behind.
"Remain with the others. Make some excuse to keep them there--another
hymn--anything. And be quick--quick!"
Public-domain text, read in full here on John Shaqi.
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