For whose sake?: A sequel to "Why did he wed her?"Southworth, Emma Dorothy Eliza Nevitte
General
For whose sake?: A sequel to "Why did he wed her?"
Southworth, Emma Dorothy Eliza Nevitte
Bigamy -- Fiction; England -- Fiction; Impostors and imposture -- Fiction
The wife and daughter of the curate sat in the rectory pew. There,
later, they were joined by the two sons of the deceased rector.
The curate, in full vestments, waited the arrival of the casket, and,
book in hand, went to meet it at the church door, through which, upon a
bier of ebony, covered with a pall of black velvet, it was borne by six
bearers, and marshaled it up the aisle and before the chancel, repeating
the sublime words of our Lord:
“I am the resurrection and the life. He that liveth and believeth on me
shall never die. And he that believeth on me, though he were dead, yet
shall he live.”
When the bier, with the casket, was set down before the altar, and the
chief mourners—the two sons of the deceased, who had followed it—had
taken their seats in the rectory pew, then the funeral services,
conducted by the curate, went on to their solemn ending.
At the close the parishoniers came out of their pews in an orderly
manner, and passing on from the right to the left before the casket,
took their last look at the mask of their deceased pastor.
At last the door of the crypt below the chancel was opened, and the
pallbearers bore the casket down the narrow stairs and laid it in the
leaden coffin and lifted it to the stone niche prepared to receive it.
Then the “dust to dust” was spoken, and the minister came up again, went
to the altar, pronounced the benediction, and so dismissed the
congregation.
As the two sons of the late rector came out of their pew they met and
shook hands with the curate, but declined his invitation to the rectory,
saying that they were about to return immediately to Cannes, to remain
with their widowed mother for the few days in which they would absent
themselves from their professional duties.
So they took leave of the curate and his wife and daughter, entered a
carriage that was waiting, and drove off to their train.
The curate, leaving his parishioners talking together in groups in the
churchyard, while the sexton was closing up the church, followed his
wife and daughter through the gate in the wall that divided that
cemetery from the rectory grounds.
He went directly to his study to compose himself before joining his wife
and daughter in the parlor.
But what he found there did not tend to his composure. A letter, with a
Paris postmark, was lying on the table. He dropped into a chair and took
it. At first he thought it must be from Kightly Montgomery, whom he knew
to be flourishing in Paris under the name of Randolph Hay; but a
moment’s reflection assured him that the false claimant was not likely
to know of the accident of James Campbell’s temporary charge of the
Haymore parish.
He opened the letter, glanced at the signature, and saw that it was not
a stranger’s, and then read as follows:
“PARIS, December 13, 187—.
Public-domain text, read in full here on John Shaqi.
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