For whose sake?: A sequel to "Why did he wed her?"Southworth, Emma Dorothy Eliza Nevitte
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For whose sake?: A sequel to "Why did he wed her?"
Southworth, Emma Dorothy Eliza Nevitte
Bigamy -- Fiction; England -- Fiction; Impostors and imposture -- Fiction
Poor wretch! he burst into tears and sobbed aloud, dropping back on his
pillow and turning his face to the wall.
“Pray try to be calm, my lord. This emotion will do you a mischief,”
pleaded Mr. Campbell.
“Go and bring my wife and child to me. Let me tell them the news,” he
exclaimed, and then burst into the most sarcastic peal of laughter the
rector thought he had ever heard. He left the room and went to find his
daughter, whom he came upon, as usual, seated beside her mother and
engaged in needlework over the baby’s cradle.
“Come, my dear. Montgomery wants you. Bring the little one along with
you. And, Hetty, dear, you had better come also,” he said.
Both women looked up anxiously, half expecting that this was their final
summons to the sick-room; that now “the end of earth” for Kightly
Montgomery was at hand.
“Is anything the matter, Jim?” inquired Hetty, while Jennie’s eyes asked
the same question.
“News of Montgomery’s relatives in Cumberland, that is all,” replied the
rector.
“What news?” demanded Hetty.
“He prefers to announce it in person.”
“Dear me! How mysterious we are! Come on, Jennie!” said Mrs. Campbell,
taking her husband’s arm and leading the way.
Jennie picked up her baby and followed.
They entered the sick-room.
The sick man held out his hand to his wife, saying:
“Come here, Jennie, my girl! You are Countess of Engelmeed! Did you know
it? And that doll in your arms is Lady Esther Montgomery!—for a few
hours only while I draw the breath of life. Afterward you will only be
countess dowager, while she will be countess in her own right. For the
earldom of Engelmeed is not a male feoff exclusively, but failing the
male line which fails in me, will ‘fall to the distaff,’ as represented
by that rag baby of yours. So I think—you are com——” He paused in sudden
pain and prostration.
“Do not speak again for the present, my lord. You will hurt yourself.
Rest a while,” said the rector, while Jennie looked at her mother in
helpless dismay.
“He is delirious again, my dear,” whispered Mrs. Campbell in reply to
that look.
“Stoop down——” muttered the dying man in a low, faint, husky voice.
Jennie bent over him to catch his failing words.
“You will be—compensated—for all—you have gone through—by being made—a
countess—you ought——”
His voice suddenly ceased. A spasm of pain traversed his face.
“My lord! my lord! Have mercy on yourself and keep still,” pleaded the
rector.
It was too late. A wild look flew into the eyes of the dying man and
fixed them on the rector’s face. A torrent of blood gushed from his
mouth. Gentleman Geff had spoken his last words, and in a very few
minutes he had drawn his last breath.
Jennie threw herself sobbing into the arms of her father. She was too
young to have much self-control, but whether now she wept from grief,
horror or compassion, or all three combined, she could not herself have
told.
Public-domain text, read in full here on John Shaqi.
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