Fornander collection of Hawaiian antiquities and folk-lore, Volume 1 (of 3) : $b The Hawaiians' account of the formation of their islands and origin of their race, with the traditions of their migrations, etc., as gathered from original sources
History
Fornander collection of Hawaiian antiquities and folk-lore, Volume 1 (of 3) : $b The Hawaiians' account of the formation of their islands and origin of their race, with the traditions of their migrations, etc., as gathered from original sources
Folklore -- Hawaii; Hawaii -- Social life and customs; Hawaiian language -- Texts; Legends -- Hawaii
Although such a thing was altogether new to Kila, still he was made
glad by the mere prospects of again trying to locate the object of
their search. So, in order to understand the matter more clearly he
questioned Kamahualele: “What is a priestess? What does she do?” Upon
hearing these questions put by Kila, Kamahualele described the
character and duties of a priestess to him. After Kamahualele had
explained what the priestess could do, Kila asked the priestess to
begin her duties so as to enable him to see Laamaikahiki.
CHAPTER III.
THE PROPHECY OF THE OLD WOMAN IN THE PRESENCE OF KILA AND HER DIRECTION
AS TO HOW LAAMAIKAHIKI COULD BE FOUND.
As Kila was very anxious to find Laamaikahiki, Kuhelepolani undertook
to explain to him what he should do in order to find Laamaikahiki. “In
one day from now you shall find Laamaikahiki in the mountain of
Kapaahu. When we hear the beating of the drum, Hawea, the drum which
belongs to your father, Moikeha, then you must take a human being and
sacrifice him on the altar at Lanikeha, your father’s temple; then you
will be able to see your brother, for it is a sign of sacrifice when
that drum is beaten during the kapu nights. Tomorrow night is the night
when the kapu is most strict of all nights, and it has always been so
from your father’s time.”
On the evening of the following day, or the day after the instructions
were given by the old woman, the notes of the drum of Laamaikahiki were
heard. Upon hearing the notes of the drum Kamahualele was ordered to
procure a person for the sacrifice and place it on the altar according
to the instructions of the aged priestess. During this night, at the
time the notes of the drum were heard, Kuhelepolani came to Kila and
asked him: “Did you hear the notes of the drum? The time has come when
you will see your brother. You must now follow me. Wherever you see me
go you must follow directly behind me.”
All that night Kila followed the aged priestess, and this was continued
from the morning of the next day until evening, when they arrived near
the place where Laamaikahiki was living. Kuhelepolani then told him:
“Let us remain here until we again hear the notes of the drum, when you
will enter into the mua, [117] the house where the people worship. When
we get to the door of the mua, then you must go right in and conceal
yourself in one of the inside corners. You must then remain in your
hiding place until your brother enters the house, then be watchful; the
one who approaches and strikes the drum is Laamaikahiki; but wait until
the priests get in line and begin the chanting, then call him.”
Public-domain text, read in full here on John Shaqi.
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