American fiction -- 19th century; Dime novels; Popular literature
A few days after Everard’s interview with Rossie, Beatrice went to New
York, where she spent the winter, returning home early in April, and
bringing with her a dark-eyed, dark-haired, elfish-looking little girl,
whom she called _Trixey_, and whose real name was Beatrice Belknap
Morton. She was the daughter of a missionary to the Feejee Islands, who
had brought his invalid wife home to America, hoping the air of the
Vermont hills might restore life and health to her worn-out, wasted
frame. Bee did not know of his return, and saw him first at a missionary
meeting which she attended with the friend at whose house she was
stopping.
“The Rev. Theodore Morton will now tell us something of his labors among
the Feejees,” the presiding clergyman said, and Bee, who was sitting far
back near the door, rose involuntarily to her feet in order to see more
distinctly the man who was just rising to address the audience, and who
stood before them, tall, erect, and perfectly self-possessed, as if
addressing a crowded New York house had been the business of his life.
Was it her Theo, whom she had sent from her to the woman in Vermont,
more willing than herself to share his toils and privations in a heathen
land. _That_ Theo had been spare and thin, with light beard and sandy
hair; this man was broad-shouldered, with well-developed physique, and
the hair, which lay in curls around his massive brow, was a rich
chestnut brown, as was the heavy beard upon his cheek. It could not be
Theo, she though, as she sank back into her seat; but the moment she
heard the deep, musical tones of the voice which had once a power to
thrill her, she knew that it was he, and listened breathlessly while he
told of his work in those islands of the sea, and by his burning
eloquence and powers of speech stirred up his hearers to greater
interest in the cause. He loved his work because it was his Master’s,
and loved the poor, benighted heathen, and he only came home because of
the sick wife and little ones, who needed change of scene and air.
Public-domain text, read in full here on John Shaqi.
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