American fiction -- 19th century; Dime novels; Popular literature
“You look better certainly,” he said, regarding her curiously, not
knowing that the improvement was owing to the artistic way in which
Beatrice had knotted up the heavy hair, which showed at the sides and
added apparent breadth to the thin, narrow face.
What a noble-looking man he was, and how well he appeared, as if he had
associated with kings and queens instead of the poor heathen, and what a
change his presence made in that dingy back room, which, with him in it,
had at once an atmosphere of home and domestic happiness. He had been
there but a few moments at the most, but in that time he had smoothed
his wife’s hair, and called her Mollie, the pet name she liked, and made
her smile, had tossed Bunchie in the air and stuffed her fat hands with
candy, had kissed little Trixey, and given her a new picture-book, and
taken the baby from her and was walking with it up and down the room to
hush its wailing cry. And between times he talked to Beatrice, naturally
and easily, asking for the people he used to know in Rothsay, and if she
was living there now; then, stopping suddenly, he said:
“I beg your pardon for taking it for granted you were Miss Belknap
still. Are you married? You used to be a sad flirt.”
He said the last playfully, and the two looked at each other an instant,
and their eyes dropped suddenly as if alarmed at what they saw.
“I am Bee Belknap still, and as great a flirt as ever,” Bee replied; and
then the Rev. Theo did a most remarkable thing; he turned to his wife,
and said:
“Mollie, dear, do you know I was once foolish enough to ask this gay
bird to go with me to the Feegees, and she had the good sense to refuse.
Wouldn’t she have cut a fine figure out there with all her finery and
fashion?”
“Yes, I know,” Mollie said faintly, while Bee rejoined, laughingly: “You
ought to be very thankful that I preferred fashion to Feegees; such a
life as I should have led you.”
“You would have died,” Mollie rejoined, and the conversation on that
subject ceased.
Theo had set things right for them all by his plain and playful allusion
to the past, which, from that allusion, would be supposed to have no
part in his present life, and to have left no mark upon him. He seemed
very happy with his children, and very kind to his wife, who was a
different creature with his strong, mesmeric influence near her.
“I believe she’d be passably good-looking if she were decently dressed.
She has good hair, not bad features, and rather fine eyes; but where are
the glasses, she surely wore them away?” Beatrice thought, and at last
she ventured to say: “Excuse me, Mrs. Morton, but did you not wear
glasses on shipboard six years ago?”
“Yes,” was the reply, “my eyes were weak from over-study, trying to
master the language, and I was obliged to wear glasses for a time. I
laid them off after Trixey was born. Theo never liked me in them.”
Public-domain text, read in full here on John Shaqi.
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