American fiction -- 19th century; Dime novels; Popular literature
It was the child Rossie,—the little girl of his boyhood,—who spoke with
all her old simple-heartedness of manner, but the face which looked up
at the young man was not the face of a child, for there was written on
it all a woman’s first tenderness and love, and the dark eyes were full
of tears, and the parted lips quivered even after she ceased to speak,
and sat looking at him as fearlessly and as little abashed as she had
looked at him when she asked to be his wife. And how could he answer
that question so innocently put? “You do like me a little, don’t you,
Everard?” How, but to stoop and kiss the quivering lips which kissed him
back again unhesitatingly, but when he sought to wind his arms around
her, and hold her closely to him, she motioned him away, and said: “No,
Everard, you might kiss me once, and I might kiss you back, as we would
do if either of us were dying, and it was our farewell to each other, as
this is. I can never kiss you again, never; nor you me, nor say anything
like what we have been saying. Remember that, Everard. The might have
been is past, and when we meet, as we sometimes may, it will be on the
old footing, as guardian and ward, or brother and sister, if you like
that better. And now listen, while I finish telling you what my wishes
are with regard to the future.”
Rosamond’s was the stronger spirit then, and she compelled him to sit
quietly by and hear her while she planned the future for him. Josephine
was to live at Forrest House, and to receive a certain amount of income
over and above the support which he would give her. But to this last he
stoutly objected. Not one dollar of Rossie’s money should ever find its
way to her, he said. He could support her with his profession, and if
Rossie did not choose to use what was rightly her own it would simply
accumulate on her hands, without doing good to any one.
So Rossie gave that project up, but insisted that she should vacate the
house as soon as she was able, and leave Josephine in possession, and
Everard was commissioned to tell her so, and to say that she must excuse
Miss Hastings from seeing her until she was stronger, and that she must
feel perfectly at home, and free to ask for whatever she liked.
At first Josie listened incredulously to Everard; it seemed so
improbable that Rossie would deliberately abandon her handsome home, and
give it up to her. But he succeeded in making her understand it at last,
taking great care to let her know that she was to have nothing from the
Forrest estate except the rent of the house; that for everything else
she was dependent upon him, who could give her a comfortable support,
but allow nothing like luxury or extravagance.
Public-domain text, read in full here on John Shaqi.
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