American fiction -- 19th century; Dime novels; Popular literature
The manner of escape had been as follows: The doctor had died that
afternoon, and as his disease had undoubtedly been cholera in its most
malignant form, great consternation had prevailed in the building among
the employees, some of whom had left, and most of whom kept as far as
possible from the wing where he had died, and where Rossie’s room was
situated. Yulah alone was fearless, and came and went as usual, in her
capacity of attendant in place of Margotte, who had fled to the town. To
prevent contagion, it was thought best to bury the body at midnight,
with as little ceremony as possible, and thus everything was in
confusion, of which Yulah took advantage. She was very popular in the
house, and when she asked permission to go out for the evening and take
one of the nurses with her, it was readily granted her, with the
injunction that she should wait until her patient was asleep, or at
least quiet for the night. To this she readily assented, saying that she
would lock her in the room so as to prevent the possibility of her
venturing into the hall while the body was being removed. This arranged,
her next business was to prepare Rossie, who had recently sunk into a
state of despondency amounting almost to insanity itself, and who spent
most of her time sitting or standing by the window, with her face toward
the setting sun, and such a hopeless, weary expression upon it as was
very touching to see. She was standing thus, although it was already too
dark to see more than the lights in the distant town, when Yulah came
hurriedly in, and, bolting the door, went up to her and said, in broken
English:
“Cheer up, petite, joy and glad at last. They are come; they here for
you!”
“Not Everard! Oh, has he come?” and a low cry broke from Rossie’s
quivering lips.
But Yulah stifled it at once by putting her hand over her mouth, and
saying:
“Careful, much careful. They must not hear. I fix it for you, and you be
still and listen.”
Very rapidly she told her that Mrs. Morton and her husband, whom she
called anything but Morton, were at the inn waiting for them, and
detailed her plan of escape, to which Rossie listened in a kind of
apathetic way, which showed that she did not clearly comprehend what was
meant, or who was waiting for her. Certainly she never thought of
Beatrice, but she understood that all she had to do was to obey orders,
and taking the seat which Yulah bade her take, she sat as immovable as a
stone, with her great, black eyes following every movement of her nurse,
who, alarmed at last at their expression and the rigid attitude of the
figure, which scarcely seemed to breathe, tried to rouse her to
something like sense and feeling, but all in vain.
Public-domain text, read in full here on John Shaqi.
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