Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
It is a strait and sore question with me, for when I was a child, I
lost the pleasure of some three-sevenths of my life because of Sunday;
for I always had a way of looking forward to things, and a lurid shade
was cast over the whole of Friday and Saturday by the horrible sense
that Sunday was coming, and inevitable. Not that I was rebellious
against my good mother or aunts in any wise; feeling only that we
were all crushed under a relentless fate; which was indeed the fact,
for neither they nor I had the least idea what Holiness meant, beyond
what I find stated very clearly by Mr. David--the pious author of "The
Paradezeal system of Botany, an arrangement representing the whole
globe as a vast blooming and fruitful Paradise,"--that "Holiness is
a knowledge of the Ho's."
My mother, indeed, never went so far as my aunt; nor carried
her religion down to the ninth or glacial circle of Holiness,
by giving me cold dinner; and to this day, I am apt to over-eat
myself with Yorkshire pudding, in remembrance of the consolation
it used to afford me at one o'clock. Good Friday, also, was partly
"intermedled," as Chaucer would call it, with light and shade, because
there were hot-cross-buns at breakfast, though we had to go to church
afterwards. And, indeed, I observe, happening to have under my hand the
account in the 'Daily Telegraph' of Good Friday at the Crystal Palace,
in 1870, that its observance is for your sakes also now "intermedled"
similarly, with light and shade, by conscientious persons: for in that
year, "whereas in former years the performances had been exclusively of
a religious character, the directors had supplemented their programme
with secular amusements." It was, I suppose, considered "secular" that
the fountains should play (though I have noticed that natural ones
persist in that profane practice on Sunday also), and accordingly,
"there was a very abundant water-supply, while a brilliant sun gave
many lovely prismatic effects to the fleeting and changeful spray"
(not careful, even the sun, for his part, to remember how once he
became "black as sackcloth of hair"). "A striking feature presented
itself to view in the shape of the large and handsome pavilion of Howe
and Cushing's American circus. This vast pavilion occupies the whole
centre of the grand terrace, and was gaily decorated with bunting
and fringed with the show-carriages of the circus, which were bright
with gilding, mirrors, portraits, and scarlet panels. The out-door
amusements began"--(the English public always retaining a distinct
impression that this festival was instituted in the East)--"with an
Oriental procession"--(by the way, why don't we always call Wapping
the Oriental end of London?)--"of fifteen camels from the circus,
mounted by negroes wearing richly coloured and bespangled Eastern
costume. The performances then commenced, and continued throughout
the day, the attractions comprising the trained wolves, the wonderful
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account